"This volume provides a critical look at that which has been a watershed in Dominique Perrault's creative development, namely the realization of the Velodrome and Olympic Swimming Pool in Berlin: a fundamental sign of an architectural research in pursuit of redesigning the landscape. It examines his recent works which have been characterized by a continuous attention to research on architectural language and the relationship between public and private space in an attempt to trace a "third way" - moving towards an integration with the environment in which the geographic matrix and experimentation take precedence over historical aspects. The volume features two very recent projects under way started in 2004 and 2003 respectively, the Ewha Women's Campus in Seoul, Korea and the new Mariinsky Opera House in Saint Petersburg." "These works and other such as the Bibliotheque nationale de France in Paris, the extension of the European Community's Court of Justice in Luxembourg and the Media Library of Venissieux have served to confirm Dominique Perrault's position among the most significant protagonists of contemporary architecture." --Book Jacket.

Although modernization in Korea started more than a century later than in the West, it has worked as a prominent ideology throughout the past century—in particular it has brought radical changes in Korean architecture and cities. Traditional structures and ways of life have been thoroughly uprooted in modernity’s continuous negation of the past. This book presents a comprehensive overview of architectural development and urbanization in Korea within the broad framework of modernization. Twentieth-century Korean architecture and cities form three distinctive periods. The first, defined as colonial modern, occurred between the early twentieth century and 1945, when Western civilization was transplanted to Korea via Japan, and a modern way of life, albeit distorted, began taking shape. The second is the so-called developmental dictatorship period. Between 1961 and 1988, the explosive growth of urban populations resulted in large-scale construction booms, and architects delved into modern identity through the locality of traditional architecture. The last period began in the mid-1990s and may be defined as one of modernization settlement and a transition to globalization. With city populations leveling out, urbanization and architecture came to be viewed from new perspectives. Inha Jung, however, contends that what is more significant is the identification of elements that have remained unchanged. Jung identifies continuities that have been formed by long-standing relationships between humans and their built environment and, despite rapid modernization, are still deeply rooted in the Korean way of life. For this reason, in the twentieth century, regionalism exerted a great influence on Korean architects. Various architectural and urban principles that Koreans developed over a long period while adapting to the natural environment have provided important foundations for architects’ works. By exploring these sources, this carefully researched and amply illustrated book makes an original contribution to defining modern identity in Korea’s architecture, housing, and urbanism.

Focusing on the intersections between textiles and architectural design, this title communicates the full range of possibilities for a multidisciplinary design hybrid. It examines the generative concepts, forms, patterns, materials, processes, technologies and practices that are driving this cross-fertilisation in contemporary urban and architectural design. Architextiles represent a transition stage in the reorientation of spatial design towards a more networked, dynamic, interactive, communicative and multifunctional state. The paradigms of fashion and textile design, with their unique, accelerated aesthetics and ability to embody a burgeoning, composite and complex range of properties such as lightness, flow, flexibility, surface, complexity and movement have a natural affinity with architecture's shifts towards a more liquid state. The preoccupation with textiles in architecture challenges traditional perceptions and practices in interior, architectural, urban, textile and fashion design. Interweaving new designs and speculative projects for the future, Architextiles, brings together architects, designers, engineers, technologists, theorists and materials researchers to unravel these new methodologies of fabricating space. Contributors include: Dominique Perrault (DPA) Lars Spuybroek (NOX and University of Atlanta) Will Alsop (RCA and SMC Alsop) Nigel Coates (RCA and Branson Coates Architecture) Matilda McQuaid (Cooper Hewitt Museum) Ron Arad (RCA and Ron Arad Associates) Tristan Simmonds, Daniel Bosia and Martin Self (Arup Advanced Geometry Unit) David Wakefield (Tensys) Dagmar Richter (UCLA) Peter Testa and Devyn Weiser (Columbia University and Testa Architecture) Tom Verebes, Yosuke Obuchi and Theodore Spyropoulos (AA_DRL) Robert Kronenburg (University of Liverpool) Anne Toomey (RCA) Bradley Quinn Marie O' Mahoney Mark Garcia (RCA)