Be warned. These ten wacky stories in Feathers, Fools, and Farts: Manipuri Folktales Retold from Manipur, perched on India's border with Myanmar, are not for scaredy-cats. Nor for those of you who do not enjoy a hearty laugh or a good cry. And if you try to copy the foolishness of the characters, animal and human, in these folktales, you just might turn into a tiger, get stung by a swarm of bees, or even get poo'ed on. If, however, you believe in strange romances, admire bravery, and like magic and sorcery, this book is for you, wherever you are.

This collection documents Meitei beliefs and some of the many oral versions of Manipuri folktales which the author heard as a child. Many folktales and beliefs have sacred and unutterable secrets in their wombs. The occult practices mentioned herein are based on personal conversations with native exorcists (known as maiba and maibe, male and female shamans). No culture can be an island in itself. The author does not believe in a time-bound and immune culture that exists on its own. Cultures can interbreed and evolve with time. If science can benefit from collaboration, why not culture? As long as any single individual who considers himself or herself a Manipuri lives, what he or she does will continue to define what Manipuri culture is. By that right, the author picks up various threads gathered over his short life and weaves them into new clothes that will define his identity and hopefully the identity of his kindred spirits.

July 15, 2004: An amazing scene unfolds in front of the Kangla Fort in Manipur, the headquarters of the Assam Rifles, a unit of the Indian army. Soldiers and officers watch aghast as twelve women, all in their sixties and seventies, position themselves in front of the gates and then, one by one, strip themselves naked. The imas, the mothers of Manipur, are in a cold fury, protesting the custodial rape and murder of Thangjam Manorama, a 32-year-old woman, alleged by the army to be a militant. The women hold aloft banners that shout, 'Indian Army Rape Us', 'Take Our Flesh'. Never has this happened before: the army is appalled. Hundreds of thousands of people around the country, watching the drama unfold, are shocked. Can this be possible? A naked protest in India? By mothers? The imas of Manipur are known to be strong, self-sufficient. It is they who by and large run the economy of the state; here, though, they are doing something different. Manorama's death is the trigger for their renewed protest against the Draconian Armed Forces Special Powers Act 1958, which is used with impunity in the state and excuses all sorts of army excesses. Manipur has witnessed several decades of low-intensity war with more than twenty militant outfits operating in the state. In this unusual book, journalist Teresa Rehman, tells the story of the twelve women, of how they took the momentous decision - in some cases unknown to their families - and how they carried it out with precision and care. The story of the mothers of Manipur reflects the larger history of the conflict-torn state and of the courage and resistance of the people in the face of overwhelming odds.

Burmese Days is George Orwell's first novel, originally published in 1934. Set in British Burma during the waning days of the British empire, when Burma was ruled from Delhi as part of British India, the novel serves as a portrait of the dark side of the British Raj. At the center of the novel is John Flory, trapped within a bigger system that is undermining the better side of human nature. The novel deals with indigenous corruption and imperial bigotry in a society where natives peoples were viewed as interesting, but ultimately inferior. Includes a bibliography and brief bio of the author.

Timeless tales from all over India from Bengal to Bastar and Kashmir to Coorg, there are stories that have been handed down generations: bedtime stories for children, fireside stories for travelers, who have heard these tales, wondered at them and repeated them to others. In A Twist in the Tale: More Indian Folktales, Aditi De collects forty such stories from various parts of India and retells them with dollops of humor. A friendless crocodile, a timid mouse and a vain fox are among some of the eccentric characters that appear in this book. There is also a clever princess, a hapless priest with heron feathers flying out of his mouth, and galleries of rogues. Strange happenings are not uncommon, so a nail tree grows out of nail clippings and a beetle saves a man from the dungeons. Full of the details of everyday life, festivities and food, these ageless stories have seldom been so exciting and such fun. Accompanied by Uma Krishnaswamy's brilliant illustrations, this book will introduce the magic of Indian folktales to a new generation of readers.

Death be denied, Faith be restored, rumours be flying, memories be evoked, humanity be restored... 'Wari' came to be heard and 'Wari' continues to be told... 'Wari' which means 'story' in Manipuri brings you a cauldron of contemporary Manipuri fiction seasoned with age-old tales of magic, black art and deep cultural beliefs that are unique to the state and its people. Linthoi Chanu is the author of 'The Tales of Kanglei Throne', her debut book based on mythological stories of Manipur. From an old woman who refuses to die to a small girl venturing into the unknown, Linthoi Chanu's 'Wari' is a collection of eight unusual stories that introduces readers to the rich socio-cultural traditions of Manipur.