The acclaimed author of "Jewel" "observes and beautifully renders those small moments that can change a life" ("The New York Times Book Review"), in this sweeping true saga of the ties that bind. Photos. Father's Day tie in.

With an introduction by Rosamund Bartlett and an afterword by Tatiana Tolstaya Turgenev's depiction of the conflict between generations and their ideals stunned readers when Fathers and Sons was first published in 1862. But many could also sympathize with Arkady's fascination with its nihilist hero whose story vividly captures the hopes and regrets of a changing Russia. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Frank Bello, bassist with the legendary New York thrash metal band Anthrax since 1984, has sold over ten million albums, travelled the globe more times than he cares to count, and enthralled audiences from the world's biggest stages. His long-awaited memoir would be a gripping read even if its pages only contained stories about his life as a recording and touring musician. While those stories are indeed included--and will blow your mind--Bello also focuses on deeper subjects in Fathers, Brothers, and Sons. Once you've heard his life story, you'll understand why. Born into a family of five, Frank grew up in difficult circumstances. His father abandoned his wife and children, and Frank's mother moved heaven and earth to keep them fed and educated. Left with no male role model, Frank found inspiration in heavy metal bass players, following their example and forging a career with Anthrax from his early teens--first as a roadie, and then as the group's bass player. International stardom came Frank's way by the mid-to-late 1980s, when he was still in his early twenties, but tragedy struck in 1996 when his brother Anthony was murdered in New York. Although the case went to trial, the suspected killer was released without charge after a witness, intimidated by violent elements, withdrew his testimony. Two decades later, Frank is a father himself to a young son. Like many men who grew up without the guidance of a dad, he asks himself important questions about the meaning of fatherhood and how to do the job well. This is the wisdom which Fathers, Brothers, and Sons offers readers. Despite the emotive nature of these topics, Fathers, Brothers, and Sons is a funny, entertaining read. A man with a keen sense of humor and the perspective to know how surreal his story has been, Frank doesn't preach or seek sympathy in his book. Instead, he simply passes on the wisdom gained from a lifetime of turbulence, paying tribute to his loved ones in a way that will resonate with us all.

Exploring three generations of the men in his family -- his father and his two uncles, his own two brothers, and his two sons -- Bret Lott spins a sweeping true saga of the ties that bind. With quiet grace and his trademark talent for finding powerful revelations in the most unlikely places, master novelist Lott delivers a bracingly personal and honest memoir that confronts the often inexpressible complexities of contemporary maleness. Fathers, Sons, and Brothers describes not only the ways men and boys relate to one another but also how their lives evolve over decades, endlessly imitative yet varied. In the end, these essays constitute a celebration of humanity, regardless of gender -- of joy and sorrow, of intimacy and distance, of lingering secrets and universal truths.

Slimm, a seventeen-year-old Black boy in a hoodie suddenly finds himself in the first moments of his afterlife. He calls out for God. God does not respond. What happens next is a sacred journey through the unknown, as Slimm grapples with the truth of the life he lived and the death he didn't choose. Our Fathers, Sons, Lovers and Little Brothers is a protest for all Black life beyond headlines and hashtags, a prayer for all families left behind, and a promise to the community that all Black lives matter.

From the author of Undaunted Courage and D-Day comes this celebration of male friendship, taken both from the pages of history and from Ambrose’s own life. Acclaimed historian Stephen Ambrose begins his examination with a glance inward—he starts this book with his brothers, his first and forever friends, and the shared experiences that join them for a lifetime, overcoming distance and misunderstandings. He writes of Dwight D. Eisenhower, who had a golden gift for friendship and who shared a perfect trust with his younger brother Milton in spite of their apparently unequal stations. With great feeling, Ambrose brings to life the relationships of the young soldiers of Easy Company who fought and died together from Normandy to Germany, and he describes with admiration three who fought in different armies on different sides in that war and became friends later. He recounts the friendships of Lewis and Clark and of Crazy Horse and He Dog, and he tells the story of the Custer brothers who died together at the Little Big Horn. Comrades concludes with the author’s moving recollection of his own friendship with his father. “He was my first and always most important friend. I didn’t learn that until the end, when he taught me the most important thing, that the love of father-son-father-son is a continuum, just as love and friendship are expansive.”

With over a million copies sold, this classic work is essential reading for all who ask, “Where has my struggle led me?” A chance encounter with a reproduction of Rembrandt’s The Return of the Prodigal Son catapulted Henri Nouwen on an unforgettable spiritual adventure. Here he shares the deeply personal and resonant meditation that led him to discover the place within where God has chosen to dwell. As Nouwen reflects on Rembrandt’s painting in light of his own life journey, he evokes a powerful drama of the classic parable in a rich, captivating way that is sure to reverberate in the hearts of readers. Nouwen probes the several movements of the parable: the younger son’s return, the father’s restoration of sonship, the elder son’s resentfulness, and the father’s compassion. The themes of homecoming, affirmation, and reconciliation will be newly discovered by all who have known loneliness, dejection, jealousy, or anger. The challenge to love as God loves, and to be loved as God’s beloved, will be seen as the ultimate revelation of the parable known to Christians throughout time, and is here represented with a vigor and power fresh for our times.