Paul Hamilton's narrative on family dysfunction is in the tradition of Jeanette Wall's 'The Glass Castle'. Hamilton uncovers secrets about his family's past after he places his father in a dementia care facility. Hamilton sorts through his father's belongings and discovers documents revealing his father's immorality. FATHERS, MONSTERS AND SONS explores the perplexities of the fatherson relationship. Hamilton reviews the relationship by looking at this theme in movies like Star Wars and classic novels such as Frankenstein. Hamilton shares his journey towards recovery with straightforward poetry about his father and family. Hamilton concludes his narrative by issuing a call to reclaim the power of storytelling.

A monster and son fill their day with rough and rowdy fun.

By the Hand of Men by Irwin Silva A doctor bent on creating life under his own image; to prove to the world that there is no God; only men and science! Creating life from the parts of dead men – which becomes his downfall – a monster to look and resemble men, with great strength, but his lack of understanding makes the monster unpredictable and dangerous, causing the death of both man and monster. Life ends for the first doctor, but begins again when a colleague who studies and believes in the same idea, and has learned from the great doctor, steps into the picture and follows his lead. But unknown to the doctor, the new body parts carry a curse. A dangerous curse, the price death – when the moon is full and the wolf bane blooms, a terror unlike no other walks among men unnoticed.

DigiCat presents the revolutionary works of French literature, the popular and influential classics of various genres and themes – action-adventures, historical thrillers, revealing the hypocrisy of the society, and the questioning of morals and beliefs through its main characters, all relatable until this day. This is the legacy of the French literary giants - Alexandre Dumas elder, and his son Alexandre Dumas younger: Alexandre Dumas pere: The D'Artagnan Romances The Three Musketeers Twenty Years After The Vicomte of Bragelonne Ten Years Later Louise de la Valliere The Man in the Iron Mask The Valois Trilogy: Marguerite de Valois (La Reine Margot) Chicot the Jester (La Dame de Monsoreau) The Forty-Five Guardsmen The Memoirs of a Physician Series: Joseph Balsamo (The Magician) The Mesmerist's Victim (Andrea de Taverney) The Queen's Necklace Taking the Bastille (Ange Pitou) The Countess de Charny (The Execution of King Louis XVI) Other Novels: The Count of Monte Cristo The Conspirators (The Chevalier d'Harmental) The Regent's Daughter (A Sequel to The Conspirators) The Hero of the People The Royal Life Guard (The Flight of the Royal Family) Captain Paul The Sicilian Bandit The Corsican Brothers The Companions of Jehu The Wolf Leader The Black Tulip The Last Vendee (The She-Wolves of Machecoul) The Prussian Terror (A Dramatic Memories) Short Stories: A Masked Ball Solange Other Works: Celebrated Crimes The Borgias The Cenci Massacres of the South Mary Stuart Karl-Ludwig Sand Urbain Grandier Nisida Derues La Constantin Joan of Naples The Man in the Iron Mask (An Essay) Martin Guerre Ali Pacha The Countess De Saint-Geran Murat The Marquise De Brinvilliers Vaninka The Marquise De Gange Alexandre Dumas fils: The Lady with the Camellias The Son of Clemenceau The Princess of Bagdad

An innovative study of two of England’s most popular, controversial, and influential writers, Father and Son breaks new ground in examining the relationship between Kingsley Amis and his son, Martin Amis. Through intertextual readings of their essays and novels, Gavin Keulks examines how the Amises’ work negotiated the boundaries of their personal relationship while claiming territory in the literary debate between mimesis and modernist aesthetics. Theirs was a battle over the nature of reality itself, a twentieth-century realism war conducted by loving family members and rival, antithetical writers. Keulks argues that the Amises’ relationship functioned as a source of literary inspiration and that their work illuminates many of the structural and stylistic shifts that have characterized the British novel since 1950.

Let your imagination feed on itself as a Brick Monster comes to live under the sidewalk of a seaside resort. He has anti-social eating habits, bad breath, is thrown out by his parents and at the tender age of 58 has to fend for himself. The Brick Monster finds new friends, eats a Mermaid, and then falls in love. Author Harry Pope brings together a range of characters, situations and humour that children and adults will find enjoyable