What is the Irish nation? Who is included in it? Are its borders delimited by religion, ethnicity, language, or civic commitment? And how should we teach its history? These and other questions are carefully considered by distinguished historian Hugh F. Kearney in Ireland: Contested Ideas of Nationalism and History. The insightful essays collected here all circle around Ireland, with the first section attending to questions of nationalism and the second addressing pivotal moments in the history and historiography of the isle. Kearney contends that Ireland represents a striking example of the power of nationalism, which, while unique in many ways, provides an illuminating case study for students of the modern world. He goes on to elaborate his revisionist “four nations” approach to Irish history. In the book, Kearney recounts his own development in the field and the key personalities, departments, and movements he encountered along the way. It is a unique portrait not only of a humane and sensitive historian, but of the historical profession (and the practice of history) in Britain, Ireland, and the United States from the 1940s to the late 20th century-at once public intellectual history and fascinating personal memoir.

The Capuchin friar's temperance campaign from 1838 to 1848, says Townend (British and Irish history, U. of North Carolina- Wilmington) was the single most extraordinary social movement in pre-famine Ireland, and a unique mass mobilization in modern European history as measured by the number of people it involved and its impact on the social fabric and the evolving national consciousness. Mathew (1790-1856) campaigned in Ireland and in Irish diaspora communities in Scotland, England, and America. The book is distributed in the US by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR

The planning of Holy Trinity church in Cork City began in 1825, and the building was finally completed some sixty years later. The story of its completion mirrors the turbulent history of Ireland of the time, and the development of the cultural and civic life of the community, particularly in charting the life of its patron, Father Theobald Matthew and the important role of the Capuchin Order. In this new work, Patrica Curtin-Kelly chronicles the fascinating history of this building and details some of its treasures, including the stained-glass windows by renowned Irish artist Harry Clarke.

How did we arrive at our contemporary consumer media economy? Why are we now fixated on screens, imbibing information that constantly expires, and longing for more direct or authentic kinds of experience? The Mediated Mind answers these questions by revisiting a previous media revolution, the nineteenth-century explosion of mass print. Like our own smartphone screens, printed paper and imprinted objects touched the most intimate regions of nineteenth-century life. The rise of this printed ephemera, and its new information economy, generated modern consumer experiences such as voracious collecting and curating, fantasies of disembodied mental travel, and information addiction. Susan Zieger demonstrates how the nineteenth century established affective, psychological, social, and cultural habits of media consumption that we still experience, even as pixels supersede paper. Revealing the history of our own moment, The Mediated Mind challenges the commonplace assumption that our own new media lack a past, or that our own experiences are unprecedented.