It isn't that stay-at-home dad Deuce Winters wants to be his small town's unofficial sleuth. Between caring for his peppy five year-old-daughter Carly and helping to keep his ten-months-pregnant wife Julianne sane, he's certainly got his hands full. But, well, trouble does seem to find him. . . That's why Duece is only mildly surprised to find a body among the frozen burgers and bratwurst at the Rose Petal fair's concession stand. And it seems the defrosting deceased was last seen arguing passionately with one of the fair's board members. But there may be more--a lot more--to the mystery, and tracking down the dangerous truth may be too much for even the most determined dad! "Laugh-out-loud funny. A terrific read!" --Laura Levine on Stay at Home Dead

Vietnam veteran Dominick Candiotti has been long estranged from his family. His late parents were close to the ruling mob clan in Youngstown, his sister was a bad-tempered and dissatisfied nag, and his middle brother was a corruptible police lieutenant. But in 1985, their oldest brother Richard Candiotti---beloved by every Italian Catholic in Youngstown as "Father Candy"---dies, and Dominick returns home for the funeral. Dominick is greatly disturbed by Richard's death, which has been ruled a suicide. Dissatisfied with this answer, he sets out to find the truth, revealing secrets and coming face-to-face with brutality and violence. Award-winning author Les Roberts pens a riveting and moving tale about walking the fragile tightrope between love and hatred.

National Book Award Finalist: “Wickersham has journeyed into the dark underworld inside her father and herself and emerged with a powerful, gripping story.” —The Boston Globe One winter morning in 1991, Joan Wickersham’s father shot himself in the head. The father she loved would never have killed himself, and yet he had. His death made a mystery of his entire life. Who was he? Why did he do it? And what was the impact of his death on the people who loved him? Using an index—the most formal and orderly of structures—Wickersham explores this chaotic and incomprehensible reality. Every bit of family history, every encounter with friends, doctors, and other survivors, exposes another facet of elusive truth. Dark, funny, sad, and gripping, at once a philosophical and a deeply personal exploration, The Suicide Index is, finally, a daughter’s anguished, loving elegy to her father.

On January 2, 1972, Mark Arax's childhood came to a sudden, explosive end when his father was shot to death at his nightclub in Fresno, California. It was one of the most sensational murders in California's heartland, and it was never solved. Mark, only fifteen years old at the time, was left with a legacy of questions: Were the rumors about his father true? Had he led a double life? Was he killed because of his dealings with the underworld? Mark Arax, an award-winning journalist at the Los Angeles Times, now writes a searing, intensely personal account of his twenty-two-year search for answers about his father's life and death, and his own identity. As the oldest child, Mark was thrust into the role of patriarch. His quest for answers began in high school, when he sought out his father's father, an Armenian immigrant. His grandfather opened a window into an old country world full of promise and heartbreak -- and four generations of eccentric family members. Two decades later, Mark uprooted his wife and baby and returned to Fresno under an assumed name to try and determine who killed his father and why. Fearing for his own life, he discovers his father was murdered just before he was going to make a startling disclosure. More than a true-life murder mystery, more than an exploration of family and culture, In My Father's Name is the poignant story of one man's remarkable journey as he uncovers long-hidden secrets about his father, his family, his heritage, and the town he once called home.

"I have never before read anything except Nabokov’s Speak, Memory that so relentlessly and shrewdly exhausted the kindness and cruelty of recollection’s shaping devices." —Geoffrey Wolff Born in Czechoslovakia, Mark Slouka’s parents survived the Nazis only to have to escape the Communist purges after the war. Smuggled out of their own country, the newlyweds joined a tide of refugees moving from Innsbruck to Sydney to New York, dragging with them a history of blood and betrayal that their son would be born into. From World War I to the present, Slouka pieces together a remarkable story of refugees and war, displacement and denial—admitting into evidence memories, dreams, stories, the lies we inherit, and the lies we tell—in an attempt to reach his mother, the enigmatic figure at the center of the labyrinth. Her story, the revelation of her life-long burden and the forty-year love affair that might have saved her, shows the way out of the maze.

The national bestseller From the author of the bestselling More Beautiful Than Before comes an inspiring book about loss based on his most popular sermon. As the senior rabbi of one of the largest synagogues in the world, Steve Leder has learned over and over again the many ways death teaches us how to live and love more deeply by showing us not only what is gone but also the beauty of what remains. This inspiring and comforting book takes us on a journey through the experience of loss that is fundamental to everyone. Yet even after having sat beside thousands of deathbeds, Steve Leder the rabbi was not fully prepared for the loss of his own father. It was only then that Steve Leder the son truly learned how loss makes life beautiful by giving it meaning and touching us with love that we had not felt before. Enriched by Rabbi Leder's irreverence, vulnerability, and wicked sense of humor, this heartfelt narrative is filled with laughter and tears, the wisdom of millennia and modernity, and, most of all, an unfolding of the profound and simple truth that in loss we gain more than we ever imagined.

Deepak Chopra turns to the most profound mystery confronting humankind: What happens after we die? By marrying science and wisdom, Chopra builds his case for afterlife, in which one's most essential self uses the end of life to "pass over" into the next lifetime.