A collection of thirteen poems that speak of the beginning, the end and every aspect of life in between. From the pains of losing to the joys of creation, this collection makes a journey from fantasy to realism. The poet satires with shameful events of history and glorifies the happiness of belonging to the world. The inevitability of death and the pleasure of simply existing within the universe to witness the wonders of creation is where "Fateless Thirteen" exists.

Publisher Description

This anthology is a vibrant collection of poems, short stories, and verses from a diverse group of writers, each offering their unique voice and perspective. From the depths of emotion to the heights of imagination, these works explore the human experience in its many forms—love, loss, joy, reflection, and beyond. Each piece is carefully crafted to evoke thought and feeling, creating a rich tapestry of literary expression. Whether you are drawn to the brevity of a verse or the complexity of a story, this collection offers something for everyone, inviting readers to journey through the minds of creative storytellers.

In the first fifteen years of the twenty-first century, a large number of films were produced in Europe, Israel, the United States, and elsewhere addressing the historical reality and the legacy of the Holocaust. Contemporary Holocaust cinema exists at the intersection of national cultural traditions, aesthetic conventions, and the inner logic of popular forms of entertainment. It also reacts to developments in both fiction and documentary films following the innovations of a postmodern aesthetic. With the number of witnesses to the atrocities of Nazi Germany dwindling, medialized representations of the Holocaust take on greater cultural significance. At the same time, visual responses to the task of keeping memories alive have to readjust their value systems and reconsider their artistic choices. Both established directors and a new generation of filmmakers have tackled the ethically difficult task of finding a visual language to represent the past that is also relatable to viewers. Both geographical and spatial principles of Holocaust memory are frequently addressed in original ways. Another development concentrates on perpetrator figures, adding questions related to guilt and memory. Covering such diverse topics, this volume brings together scholars from cultural studies, literary studies, and film studies. Their analyses of twenty-first-century Holocaust films venture across national and linguistic boundaries and make visible various formal and intertextual relationships within the substantial body of Holocaust cinema.

A collection of thirteen poems that speak of the beginning, the end and every aspect of life in between. From the pains of losing to the joys of creation, this collection makes a journey from fantasy to realism. The poet satires with shameful events of history and glorifies the happiness of belonging to the world. The inevitability of death and the pleasure of simply existing within the universe to witness the wonders of creation is where "Fateless Thirteen" exists.

What if animals took over the city? What if animals replaced all humans? What if the labrador takes his human for a walk? What if the majestic lion rules the streets?

During World War II at least 13.5 million people were employed as forced labourers in Germany and across the territories occupied by the German Reich. Most came from Russia, Ukraine, Belarus, Moldavia, the Baltic countries, France, Poland and Italy. Among them were 8.4 million civilians working for private companies and public agencies in industry, administration and agriculture. In addition, there were 4.6 million prisoners of war and 1.7 million concentration camp prisoners who were either subjected to forced labour in concentration or similar camps or were ‘rented out’ or sold by the SS. While there are numerous publications on forced labour in National Socialist Germany during World War II, this publication combines a historical account of events with the biographies and memories of former forced labourers from twenty-seven countries, offering a comparative international perspective.