"The Freelands" by John Galsworthy. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Empire is shattered. From the northern ice fields to the storm-battered coast, chasms gash the landscape. Hordes of twisted beasts ravage towns and cities, and still, the people riot. But the prophecies offer hope. Bolstered by the newfound, if fragile, peace with Stormshard, Emperor Kostan begins to fortify his rule. Savra, torn between her desire to learn her family's fate and the duty she feels to her Emperor, delves deeper into her magic in hopes she can answer both calls. At the heart of the Empire, an ancient seal will soon fail. The void will swallow the land. But Savra and Kostan will fight to the end. Together, they are the last hope for the Empire's salvation.

PROLOGUE One early April afternoon, in a Worcestershire field, the only field in that immediate landscape which was not down in grass, a man moved slowly athwart the furrows, sowing—a big man of heavy build, swinging his hairy brown arm with the grace of strength. He wore no coat or hat; a waistcoat, open over a blue-checked cotton shirt, flapped against belted corduroys that were somewhat the color of his square, pale-brown face and dusty hair. His eyes were sad, with the swimming yet fixed stare of epileptics; his mouth heavy-lipped, so that, but for the yearning eyes, the face would have been almost brutal. He looked as if he suffered from silence. The elm-trees bordering the field, though only just in leaf, showed dark against a white sky. A light wind blew, carrying already a scent from the earth and growth pushing up, for the year was early. The green Malvern hills rose in the west; and not far away, shrouded by trees, a long country house of weathered brick faced to the south. Save for the man sowing, and some rooks crossing from elm to elm, no life was visible in all the green land. And it was quiet—with a strange, a brooding tranquillity. The fields and hills seemed to mock the scars of road and ditch and furrow scraped on them, to mock at barriers of hedge and wall—between the green land and white sky was a conspiracy to disregard those small activities. So lonely was it, so plunged in a ground-bass of silence; so much too big and permanent for any figure of man.

The lot of the farm worker in the employ of the gentry.

Little more than seventy years after the British settled Van Diemen's Land (later Tasmania) in 1803, the indigenous community had been virtually wiped out. Yet this genocide at the hands of the British is virtually forgotten today. The Last Man is the first book specifically to explore the role of the British government and wider British society in this genocide. It positions the destruction as a consequence of British policy, and ideology in the region. Tom Lawson shows how Britain practised cultural destruction and then came to terms with and evaded its genocidal imperial past. Although the introduction of European diseases undoubtedly contributed to the decline in the indigenous population, Lawson shows that the British government supported what was effectively the ethnic cleansing of Tasmania - particularly in the period of martial law in 1828-1832. By 1835 the vast majority of the surviving indigenous community had been deported to Flinders Island, where the British government took a keen interest in the attempt to transform them into Christians and Englishmen in a campaign of cultural genocide. Lawson also illustrates the ways in which the destruction of indigenous Tasmanians was reflected in British culture - both at the time and since - and how it came to play a key part in forging particular versions of British imperial identity. Laments for the lost Tasmanians were a common theme in literary and museum culture, and the mistaken assumption that Tasmanians were doomed to complete extinction was an important part of the emerging science of human origins. By exploring the memory of destruction, The Last Man provides the first comprehensive picture of the British role in the destruction of the Tasmanian Aboriginal population.

Two sellswords, now pariahs, split up to escape injustice. But the ghosts of the past come back to haunt Brea the half-elf, while Kozog the half-orc finds peril lurking much closer to his chest than he could ever imagine. A novella set in Drathari, the world of Ren of Atikala. Part two of the The Pariahs series.