This study is a theoretical reconsideration of the concept of the “tragic” combined with detailed analyses of Japanese literary texts. Inspired by contemporary critical discourse (especially the works by such thinkers as Theodor Adorno, Fredric Jameson and Raymond Williams), the author challenges both exotic and postmodern representation of Japanese culture as “the other” of the West. By examining the social backgrounds of artists’ endeavors to create new literary forms, the author unveils a rich tradition of tragic literature that, unlike the dominant local tradition of naturalism, has registered the unbridgeable gap between universal ideals and social values at a particular historical moment.

Speculative Formalism engages decisively in recent debates in the literary humanities around form and formalism, making the case for a new, nonmimetic and antihistoricist theory of literary reference. Where formalism has often been accused of sealing texts within themselves, Eyers demonstrates instead how a renewed, speculative formalism can illuminate the particular ways in which literature actively opens onto history, politics, and nature, in a connective movement that puts formal impasses to creative use. Through a combination of philosophical reflection and close rhetorical readings, Eyers explores the possibilities and limits of deconstructive approaches to the literary, the impact of the “digital humanities” on theory, and the prospects for a formalist approach to “world literature.” The book includes sustained close readings of Baudelaire, Mallarmé, Yeats, and Wallace Stevens, as well as Alain Badiou, Paul de Man, and Fredric Jameson.

With the recent publication of Pope Francis's encyclical Laudato Si', many people of faith have found themselves challenged to seek new ways of responding to serious ecological questions essential to the flourishing of all creatures. On Earth as It Is in Heaven brings together fifteen top scholars to consider pressing contemporary environmental concerns through the lens of Catholic theology.Drawing from ancient Christian sources, the contributors delve into such diverse topics as equitable food distribution, responsible procreation, land stewardship, evolutionary theodicy, and poverty and providence. A concluding essay addresses the liturgy as the space in which all creation is consecrated before the cross of Christ. Allowing the earliest Church Fathers and voices from the Christian tradition to speak to our unique circumstances today, this engaging volume shows that ancient, creedal Christianity contains important insights into caring for God's creation.

Thomas Nipperdey offers readers insights into the history and the culture of German nationalism, bringing to light much-needed information on the immediate prenational period of transition. A subject of passionate debates, the beginnings of German nationalism here receive a thorough-going exploration, from the dissolution of the Holy Roman Empire to Bismarck's division of the German-speaking world into three parts: an enlarged Prussian state north of the Main, an isolated Austria-Hungary in the south, and a group of Catholic states in between. This altering of power structures, Nipperdey maintains, was the crucial action on which the future of the German state hinged. He traces the failure of German liberalism amidst the rise of nationalism, turning it from a story of inevitable catastrophe toward a series of episodes filled with contingency and choice. The book opens with the seismic effect of Napoleon on the German ancien-régime. Napoleon's modernizing hegemony is shown to have led to the gradual emergence of a civil society based on the liberal bourgeoisie. Nipperdey examines the fate of this society from the revolutions of 1848-49 through the rise of Bismarck. Into this story he weaves insights concerning family life, working conditions, agriculture, industrialization, and demography as well as religion, learning, and the arts. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A critical study which discusses passion and community as the central structures of feeling in tragic realism, tracing their origins in Stendhal, Tolstoy and Dostoevsky and explaining their contemporary eclipse in Western society.

We are living through a period of planetary crisis, a time in which the mass production and consumption of some animals is made possible by the mass extinction of many others. What is the role of literature in responding to this war against animals? How might literary criticism read for animals? In Creaturely Forms in Contemporary Literature, Dominic O'Key develops the bold argument that deep attention to literary form enables us to rethink human-animal relations. Through chapters on W. G. Sebald, J. M. Coetzee and Mahasweta Devi, as well as close readings of works by Arundhati Roy and Richard Powers, O'Key reveals how literary forms can unsettle the fictions of human supremacy and craft alternative, creaturely forms of relation. An intervention into both the humanism of literary theory and the representational focus of animal studies, this provocative work makes the case for a new formalism in light of our obligation to fellow creatures.

Retrieving the term 'baroque' from the margins of art history, scholars from a range of disciplines demonstrate that it is a productive means to engage with art history and theory. Rather than attempting to provide a survey of baroque as a chronological or geographical conception, the essays here attempt critical re-engagement with the term 'baroque'-its promise, its limits, and its overlooked potential-in relation to the visual arts.