She was framed! Or was she? If only she could remember… Border patrol agent Jocelyn Walker has no memory of how she turned up unconscious with a cache of drugs—or why a gang is dead set on killing her. With evidence stacking up against her, Joss takes refuge with driven DEA agent Dylan Murphy, who guards—and suspects—her. But will finally trusting each other lead them into a trap they’ll never escape?

A woman loses years of memories after a traumatic accident—and begins to suspect it was no accident—in a thriller by the New York Times–bestselling author . . . The last thing Maura Thomas remembers from before her car careened over a steep embankment is having dinner with her college roommate . . . over twenty years ago. Everything in between is a blank. Maura has no recollection of her husband, her daughter, or her busy, glamorous existence as owner of a Beverly Hills boutique. Maura can’t even be sure that everyone around her is who they claim to be. Is it paranoia or self-preservation that makes her uneasy? And then there are the images starting to fill her head—pictures of a life at odds with everything she’s been told. As Maura begins to piece together the fragments of her previous life, she grows convinced that her car crash was no accident. But the moment she remembers the truth she’ll find herself at the mercy of a killer determined to silence her forever . . .

DEADLY MEMORIES - What she can't remember might kill her... _______________________________________________________ "She doesn't remember a thing," Rolph snapped into the phone. Andrea froze. His back was turned away from her. He didn't know she was there, listening. "It's been six months, for God's sake. If you harm one hair on her head, I'll contact the authorities. My father would be disgraced, but that will not deter me." Now Andrea couldn't move. There was no doubt Rolph was talking about her. She wondered how his father, the French Ambassador, could be disgraced. His voice modulated to a threatening whisper. "This is the end. Otherwise she goes directly into protective custody, and I spill my guts. You've lied to me, made me into a damned traitor, and I'm angry enough to do it out of spite." Now Andrea knew there were secrets he was keeping from her. What did he mean about protective custody? Was she in danger? The one blank spot in her mind was a mysterious car crash. She didn't know how she had landed at the bottom of a cliff in the Santa Monica mountains of Los Angeles. She remembered the fabulous party in Beverly Hills that night, but try as she might, she couldn't remember the sequence of events leading to the accident. Rolph's last words chilled her, "I have nothing to lose. I'm a dead man."

"A unique blend of personal narrative and scientific discovery, White Gloves reveals the centrality of autobiographical memory to consciousness and cognition." --Peter Salovey, Yale University, author of The Remembered Self

Trauma Cinema focuses on a new breed of documentary films and videos that adopt catastrophe as their subject matter and trauma as their aesthetic. Incorporating oral testimony, home-movie footage, and documentary reenactment, these documentaries express the havoc trauma wreaks on history and memory. Janet Walker uses incest and the Holocaust as a double thematic focus and fiction films as a point of comparison. Her astute and original examination considers the Hollywood classic Kings Row and the television movie Sybil in relation to vanguard nonfiction works, including Errol Morris's Mr. Death, Lynn Hershman's video diaries, and the chilling genealogy of incest, Just, Melvin. Both incest and the Holocaust have also been featured in contemporary psychological literature on trauma and memory. The author employs theories of post traumatic stress disorder and histories of the so-called memory wars to illuminate the amnesias, fantasies, and mistakes in memory that must be taken into account, along with corroborated evidence, if we are to understand how personal and public historical meaning is made. Janet Walker’s engrossing narrative demonstrates that the past does not come down to us purely and simply through eyewitness accounts and tangible artifacts. Her incisive analysis exposes the frailty of memory in the face of disquieting events while her joint consideration of trauma cinema and psychological theorizing radically reconstructs the roadblocks at the intersection of catastrophe, memory, and historical representation.

Love Inspired Suspense brings you three new titles at a great value, available now! Enjoy these suspenseful romances of danger and faith. DANGEROUS RELATIONS The Baby Protectors by Carol J. Post When her sister is killed, Shelby Adair’s determined to keep her young niece away from the father’s shady family—especially since she’s convinced they were behind the murder. But after the killer attempts to kidnap little Chloe, can Shelby trust the child’s uncle, Ryan McConnell, with their lives? UNDERCOVER TWIN Twins Separated at Birth by Heather Woodhaven Audrey Clark never knew she was a twin—until she stumbled onto a covert operation. Now with her FBI agent sister in critical condition, Audrey’s the only one who can complete the mission. But with danger around every corner, can she avoid falling for her pretend husband, FBI agent Lee Benson? FATAL MEMORIES by Tanya Stowe It’s DEA agent Dylan Murphy’s job to take down a drug ring, including border patrol officer Jocelyn Walker’s brother. But he’s not sure whether Jocelyn is innocent…and without her memory, neither is she. Now it’s Dylan’s job to protect her from the gang dead set on silencing her for good.