Fasti ecclesiae scoticanae; the succession of ministers in the Church of Scotland from the reformation. New edition. Revised and continned to the Present Time under the Superintendence of a Commitee appointed by the General Assembly. Volume 5. Synods of fife, and of angus and mearns.

James III is the most enigmatic of the Stewart kings of Scotland. Variously characterised as artistic, peace-loving, morbidly suspicious, treacherous, pious, lecherous and lazy, King James was much criticised by contemporaries and later chroniclers for his failure to do his job in the manner expected of him, and particularly for his reliance on low-born favourites to the exclusion of his 'natural' counsellors, the nobility. Specific complaints included debasement of the coinage, royal hoarding of money, failure to staunch feuds and to enforce criminal justice. Yet James III has also been seen as a major patron of the arts, as Scotland's first Renaissance king, and as the architect of an intelligent and forward-looking foreign policy. In this new study, the author explores all these areas and seeks to explain why King James was challenged by a huge rebellion in 1482, which he narrowly survived, and why he succumbed to a further rising in 1488, which placed his eldest son on the throne as James IV.

This volume examines the Scottish book trade from c.1500 to c.1720, looking at booksellers, bookbinders, stationers and printers and their relationship to the forces of authority. The scale of the Scottish book trade in this period was surprisingly large, consisting of over 150 printers and over 400 booksellers, but its rate of growth was not constant as it was buffeted by the winds of economic and political circumstances. It is the public, not private world of book dissemination that is examined. Emphsis is placed more on supply than on demand. It is shown that the unique qualities of the printed book, with its blend of commerce and technology on the one hand, and intellect and ideology on the other, ensured that authority - burghs, church, governemt (crown and executive) and law courts - reacted with a complex response of liberty and prohibition. So it was for all nations experiencing the arrival of printing, but Scotland had its own particular range of dynamics, a distinct Scottish tradition.

This book brings together twelve studies that collectively provide an overview of the main issues of live interest in Scottish witchcraft. As well as fresh studies of the well-established topic of witch-hunting, the book also launches an exploration of some of the more esoteric aspects of magical belief and practice.

This title was first published in 2003. This text examines the role of religion in the life of the poet Robert Burns. Incorporating previously unexplored sources, and taking into consideration contemporary work on Burns, and on Scottish literature and history, author J. Walter McGinty presents an account of Burns's personal religion and the factors that helped to form it. McGinty begins by discussing the recurring themes in Burns's religious writings: a belief in a benevolent God; a hankering after, if not a hope, that there might be a life after death; and a sense of his own accountability. He then presents for comparison the religious poetry of two of Burns's contemporaries, William Cowper and Christopher Smart, usefully extending the discussion of Burns beyond the purely Scottish context. Finally, McGinty provides portraits of some of the ministers of "The Church of Scotland's Garland-A New Song", followed by an analysis of Burns's religious poetry.