Write Your Screenplay with the Help of Top Screenwriters! It’s like taking a Master Class in screenwriting … all in one book! Discover the pitfalls of writing to fit a budget from screenwriters who have successfully navigated these waters already. Learn from their mistakes and improve your script with their expert advice. "I wish I'd read this book before I made Re-Animator." Stuart Gordon, Director, Re-Animator, Castle Freak, From Beyond John Gaspard has directed half a dozen low-budget features, as well as written for TV, movies, novels and the stage. The book covers (among other topics): Academy-Award Winner Dan Futterman (“Capote”) on writing real stories Tom DiCillio (“Living In Oblivion”) on turning a short into a feature Kasi Lemmons (“Eve’s Bayou”) on writing for a different time period George Romero (“Martin”) on writing horror on a budget Rebecca Miller (“Personal Velocity”) on adapting short stories Stuart Gordon (“Re-Animator”) on adaptations Academy-Award Nominee Whit Stillman (“Metropolitan”) on cheap ways to make it look expensive Miranda July (“Me and You and Everyone We Know”) on making your writing spontaneous Alex Cox (“Repo Man”) on scaling the script to meet a budget Joan Micklin Silver (“Hester Street”) on writing history on a budget Bob Clark (“Children Shouldn’t Play with Dead Things”) on mixing humor and horror Amy Holden Jones (“Love Letters”) on writing romance on a budget Henry Jaglom (“Venice/Venice”) on mixing improvisation with scripting L.M. Kit Carson (“Paris, Texas”) on re-writing while shooting Academy-Award Winner Kenneth Lonergan (“You Can Count on Me”) on script editing Roger Nygard (“Suckers”) on mixing genres This is the book for anyone who’s serious about writing a screenplay that can get produced! Grab it today! ★★★★★ "A perfect read for anyone who wants to write a film script or for anyone who just enjoys watching movies." Fred Willard, Actor, A Mighty Wind, Best in Show, Waiting for Guffman "This volume is packed full of useful little nuggets of information." Jonathan Lynn, Director, My Cousin Vinny, Clue, Nuns on the Run, The Whole Nine Yards “Packed with war stories and savvy advice for beginning screenwriters.” Larry Gross, Screenwriter, 48 hrs., Streets of Fire, True Crime

Screenwriting for micro-budget films can present its own challenges and this book takes the reader through all the considerations that need to be made to write an effective screenplay for a low-budget film. Drawing on his own experience, case studies from films such as Primer, Coherence and Reservoir Dogs, as well as the perspectives of working screenwriters such as Joe Swanberg and Alex Ross-Perry, Greenberg explores common pitfalls screenwriters face and suggests practical solutions. This book lays the groundworks of the realities of low-budget filmmaking and also talks through the practical aspects, such as story structure and genre considerations. Greenberg makes the process of writing a screenplay for a low-budget film accessible and creative, allowing student and independent filmmakers to tailor their writing for their films. This book is ideal for aspiring screenwriters, independent filmmakers and students of screenwriting.

Want to learn the shortctus and strategies to (finally) completing that screenplay you've been tinkering with? Want to know the secrets to writing a script that captures the attention of managers, agents, directors...even actors! Want to master screenplay structure without going to film school and taking out thousands of dollars in student loans? You've come to the right place! In "How to Write a Screenplay That Doesn't Suck," former Hollywood screeenplay reader and optioned screenwriter Michael Rogan shares his insider strategies to help you learn: *The BIGGEST MISTAKE newbie screenwriters make when learning how to write a screenplay--and how to avoid it. *How to send an email query to agents and managers that'll actually GET YOUR MOVIE SCRIPT READ. *A quick, easy way to crunch 3 years of film school knowledge into 30 days *How to write a movie script that's marketable--before you start on page one. *And so much more!

Do you have a story and believe it would make a great movie, but don't know where to start? Do you want to learn how to write a screenplay, something that a movie studio or a production company might like to buy or option? Do you want to learn how to write a gripping story, that's impossible for a reader to put down? Do you want to learn how to write words that are visually cinematic, properly formatted, and pragmatically marketable? Or are you an established writer who wants to learn new techniques? If your answer is yes to any of these questions, then you want to learn how to use Words to Film By. Our online and in-person "Words to Film By" screenwriting workshops have helped guide countless aspiring screenwriters on their path. Many screenwriting books and courses make wild claims that they will guarantee that you will sell or option your script, if you buy their book and follow their rules. There is no magic pill that will help you succeed as a screenwriter. Our book does not teach you grammar, spelling and punctuation, it doesn't even teach you how to write. Our book will help you create characters, plots, scenes, dialogue, and help you format your story in the correct way. By the time you've finished our Words to Film By book and or course, you'll have a great blueprint for completing your screenplay and the knowledge on how to start marketing yourself, as a screenwriter. Whether you are trying to write a high concept Hollywood blockbuster or just a low-budget film, we'll help you take your shot at the screenwriting. We're Rich Goteri and Mike Mili and we've compiled and developed a method of applied writing principles, which we call: "WORDS TO FILM BY." Together, we have determined to share this method with everyone who wants to take a shot at screenwriting. You'll not only learn how to create and format your screenplay, but you'll also learn how to write a treatment, how to pitch to producers, how to write a tag line, how to register your scripts and how to get an agent, -we've included a list and a link to signatory literary agents once you are ready. Best of all we've included a set of simple writing exercises that will help you get on the right path to completing your screenplay. Another bonus we have included, (though we can't give legal advice) we've included online copyright forms, nondisclosure, collaboration, and option agreements and much more. Though this Words to Film By book was designed to accompany the course and workshops, it works well on its own. Enjoy your journey and happy writing.

Dying to make a feature? Learn from the pros! "We never put out an actual textbook for the Corman School of Filmmaking, but if we did, it would be Fast, Cheap and Under Control." Roger Corman, Producer ★★★★★ It’s like taking a Master Class in moviemaking…all in one book! Jonathan Demme: The value of cameos John Sayles: Writing to your resources Peter Bogdanovich: Long, continuous takes John Cassavetes: Re-Shoots Steven Soderbergh: Rehearsals George Romero: Casting Kevin Smith: Skipping film school Jon Favreau: Creating an emotional connection Richard Linklater: Poverty breeds creativity David Lynch: Kill your darlings Ron Howard: Pre-production planning John Carpenter: Going low-tech Robert Rodriguez: Sound thinking And more! Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Includes never before published interviews with low-budget mavericks such as Steven Soderbergh, Roger Corman, Jon Favreau, Henry Jaglom, and many more. Learn the lessons from such classics as Clerks, Night of the Living Dead, Swingers, Open Water, El Mariachi, Slacker, sex, lies and videotape, The Blair Witch Project, Eraserhead, Monty Python & The Holy Grail, Dark Star, Return of the Secaucus Seven, The Little Shop of Horrors, Caged Heat and Targets. Are you dying to make a movie? This is the one book that can help you make it a reality. Grab it now! ★★★★★ Praise for the Fast, Cheap and Under Control: "This terrific little book explains how to make every penny count on the often-arduous journey from script to screen." John Carpenter, Director, Halloween, Starman, Escape from New York "A helpful and funny guide for beginners and professionals alike." Jonathan Demme, Director, Silence of the Lambs "This book is as good as film school, and a lot less expensive. It's required reading in Tromaville." Lloyd Kaufman, President, Troma Entertainment, Creator, Toxic Avenger "I wish I’d read this book before I made Re-Animator." Stuart Gordon, director, Re-Animator "This simple and sensible book injects reality into the process and helps any filmmaker prevent their film from becoming a money pit. Lessons like those in this book are cheap at ten times the price." John Badham, director, Saturday Night Fever, Dracula, Blue Thunder "For everyone who wants to make art without breaking the bank, John Gaspard’s book is worth every penny." Derek Pell, Editor, DingBat Magazine "A richly-detailed, highly readable and inspiring book jam-packed with information that will keep low-budget filmmakers from making costly mistakes. Filled with a ton-full (not a spoonful) of fascinating, insightful interviews, with a you-can-do-it approach." Dr. Linda Seger, consultant on over 2,000 screenplays, best-selling author of Making a Good Script Great and 7 other books

On Writing A Low Budget Screenplay will not only offer advice and rules that must be followed if you wish to craft a script that can be produced for a few thousand dollars, but how to look at your script from the view of the film maker. This book is short and to the point. It does not take more words to tell you how to write a low budget script than are actually in one. Becoming a working screenwriter in the digital film making age is easier than ever if you are willing to learn the rules. The rules use to be about formatting your script, now they are about location, cast size and genre. Whether you want to produce your movie script yourself or sell it to a film producer this book is a must read. I have spent years working with and interviewing low budget film makers. I know what they are looking for in a script and what they expect from a screen writer. Purchasing this screewriting manual will be the best investment of your writing career.

Have you got a great idea for a screenplay, but don't know how to write it visually? Then this book is for you. It will give you the vital information you need to know before you write your script; the vital techniques you need to learn when you're writing your script. But, more importantly, it will show you how to market your script after it's written. These three vitally important stages will make your script STAND OUT from the crowd. Your will learn about:- - Preparing outlines and synopses and treatments. - The Three Act Structure - Writing powerful opening scenes, and compelling scenes to follow - Techniques to make your script stand out - Writing effective dialogue - Writing a logline to use as a powerful marketing tool to interest an agent or producer. - Professional script formatting - Organisations that help screenwriters - How to copyright your work - How to market your script - The Twenty important things to check before you send out your script