Under Italian Fascism, African-Italian mulattoes and white Italians living in Egypt posed a particular threat to the pursuit of a homogenous national identity. This book examines novels and films of the period, showing that their attempts at stigmatization were self-undermining, forcing audiences to reassess their collective identity.

The period spanning the two World Wars was unquestionably the most catastrophic in Europe's history. Despite such undeniably progressive developments as the radical expansion of women's suffrage and rising health standards, the era was dominated by political violence and chronic instability. Its symbols were Verdun, Guernica, and Auschwitz. By the end of this dark period, tens of millions of Europeans had been killed and more still had been displaced and permanently traumatized. If the nineteenth century gave Europeans cause to regard the future with a sense of optimism, the early twentieth century had them anticipating the destruction of civilization. The fact that so many revolutions, regime changes, dictatorships, mass killings, and civil wars took place within such a compressed time frame suggests that Europe experienced a general crisis. The Oxford Handbook of European History, 1914-1945 reconsiders the most significant features of this calamitous age from a transnational perspective. It demonstrates the degree to which national experiences were intertwined with those of other nations, and how each crisis was implicated in wider regional, continental, and global developments. Readers will find innovative and stimulating chapters on various political, social, and economic subjects by some of the leading scholars working on modern European history today.

Hybridity and Ideology analyzes the structure, development, and significance of political perspectives that mix or fuse the distinct beliefs, practices, and identities found in other ideologies—for example, hybrid worldviews such as liberal nationalism, ecosocialism, and anarchafeminism. Employing concepts and methods drawn from ideology studies, discourse theory, and cultural studies, Leonard Williams and Benjamin Franks explore the meaning of hybridity, the processes by which ideologies hybridize, and the political implications of the blended ideologies that result. Their hybrid inquiry fashions a theoretical vocabulary and framework for understanding and studying ideological hybridization. Using examples from a broad spectrum of ideologies, the book discusses the characteristic patterns by which hybrids are constructed from parent ideologies. It explores the operations and processes that enable hybrids to emerge from other ideologies and develop within social and political contexts. Lastly, it addresses how ideologies provide resources for political action and discusses the criteria for judging the success of hybrid ideologies. Hybridity and Ideology offers insight into the dynamic processes of hybridization central to ideological transformation and political change. It provides a helpful resource for students and researchers in political theory, cultural studies, and philosophy.

Fascism and the racial laws of 1938 dramatically changed the scientific research and the academic community. Guarnieri focuses on psychology, from its promising origins to the end of the WWII. Psychology was marginalized in Italy both by the neo-idealistic reaction against science, and fascism (unlike Nazism) with long- lasting consequences. Academics and young scholars were persecuted because they were antifascist or Jews and the story of Italian displaced scholars is still an embarrassing one. The book follows scholars who emigrated to the United States, such as psychologist Renata Calabresi, and to Palestine, such as Enzo Bonaventura. Guarnieri traces their journey and the help they received from antifascist and Zionist networks and by international organizations. Some succeeded, some did not, and very few went back.

Essays on recent developments in Pound scholarship and research, including newly available primary sources and methodological advances in cognate fields.

This controversial and groundbreaking study proposes a compelling reinterpretation of the political thought of one Italy's founding fathers, Giuseppe Mazzini (1805-1872), and in the process suggests a new approach to understanding the origins of fascist ideology.

Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author’s main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form.