This collection of essays provides a history of farm service and labour in lowland Scotland from the agricultural revolution of the late 18th century to the outbreak of the First World War.

This is the second volume of a three-volume study of Scottish social change and development from the eighteenth century to the present day, originally published by John Donald in association with the Economic and Social History Society of Scotland. The series covers the history of industrialisation and urbanisation in Scottish society and records many experiences which Scotland shared in common with other societies, looking at the impact of those changes throughout the spectrum of society from croft, bothy and hunting lodge to mines, foundries and urban poor houses. The series is intended to illustrate the identity and distinctiveness of Scotland through its separate institutions and through areas such as language, law and religion and recognises Scotland as a multi-cultured society, the highland and lowland cultures being only two among several.

Painting Labour in Scotland and Europe, 1850-1900 explores hitherto unrecognized European variations in the phenomena of rural labour imagery, particularly in Scotland. In exploring these distinctions relative to Scotland and Europe it looks to develop a new understanding of the commonalities and idiosyncrasies of rural labour imagery which have often been treated as homogenous. Lacking the detailed analysis that has been accorded other images, writing about Scottish painting has often been appended to analyses of English or French imagery. It has generally been understood as intellectually divorced from the sometimes brutal realities of evolving Scottish nineteenth-century urbanism, or simply ignored. Painting Labour in Scotland and Europe, 1850-1900 sets out systematically to discuss the Scottish rural painting in relation to its particular Scottish historical context, both sociological and aesthetic and its English and European counterparts. Alongside canonical Scottish images by major figures such as James Guthrie, the book explores many hitherto under researched and unconsidered paintings by nineteenth-century Scottish artists, and considers them in relation to major English and Continental Realist and Romantic painters. The juxtaposition of J.F. Millet with W.D. McKay, and Edwin Landseer with George Reid makes for a volume that will appeal both to an academic audience and to one interested in European art history more generally.

Agriculture is a highly sensitive industry. Throughout their history, national governments have intervened in and protected their agricultural sectors. The problems of competition in agriculture have been continually illustrated by disagreement over the European Community's Common Agricultural Policy (CAP) and, more recently, by attempts to reform farming policy in the last round of the GATT negotiations. The Failure of Agrarian Capitalism presents a comparative analysis of in agarian policies in the UK, Germany, the Netherlands and the USA from 1846-1919.

Originally published: London: B.T. Batsford, 1988.

A Companion to Nineteenth-Century Britain presents 33 essaysby expert scholars on all the major aspects of the political,social, economic and cultural history of Britain during the lateGeorgian and Victorian eras. Truly British, rather than English, in scope. Pays attention to the experiences of women as well as ofmen. Illustrated with maps and charts. Includes guides to further reading.