In 1960, Major League Baseball reached a crossroads in its history. Facing a challenge from the Continental Baseball League, the owners of the original 16 major league teams elected to admit new clubs. This in-depth look at that pivotal season--the last played with only the original 16 teams--follows the New York Yankees and the Pittsburgh Pirates on their march to the 1960 World Series. The trials and triumphs of these two teams reflect the changes, large and small, that came to define the sport in the following decades--surnames on the backs of the uniforms, exploding scoreboards, the increasing impact of international players, and foremost of all, expansion. Marking the end of the "Golden Age" of baseball and the beginning of the ascendancy of professional football as the national pastime, this historic season witnessed the intersection of the past and future of American professional sports.

Lavishly illustrated and cinematic in scope, Go Where You Wanna Go is told from the points of view of not only the group members, but also from those of their friends, musical collegues, business associates, critics, and fans.

Contains over 750 alphabetically-arranged entries that provide information about the rock group Grateful Dead, featuring profiles of band members and associated musicians, filmmakers, photographers, composers, and others, and descriptions of the band's albums and solo releases.

A well-known radio personality surveys popular-music history from 1955 to 1976, calling attention to leading artists and their greatest hits and including annual charts of the top fifty songs.

“Movie criticism's Dostoyevsky . . . Taylor reveals a national identity forged from the innocence we claim to have lost but never had in the first place.” --Steve Erickson, author of Zeroville When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity.

Few songs have captured the contradictions and ambiguities of the 1960s as memorably as “California Dreamin’,” the iconic folk music single that catapulted the Mamas & the Papas into rock and roll history. In All the Leaves Are Brown, author Scott Shea details how John Phillips, Denny Doherty, Michelle Phillips, and “Mama Cass” Elliot became standard-bearers for California counterculture, following their transformation from folk music wannabes to rock sensations and chronicling the tumultuous events that followed their unexpected success. Shea gives a definitive account of the group’s short time together, from their hitmaking approach with legendary producer Lou Adler to John’s unique songwriting to tours and friendships with other musicians riding the folk-rock wave. He explores the emotional vicissitudes that came with being in the Mamas & the Papas, from Cass’s unrequited love for Denny, his affair with Michelle, and the ebb and flow of dysfunction in John and Michelle’s marriage. And he explains how it all came to a crashing end with John’s brainchild, the Monterey Pop Festival, which should have launched the group even further into the musical stratosphere, but only served to be their undoing. Drawing on new interviews with former bandmates, session musicians, family members, and many others, All the Leaves Are Brown is a layered, revelatory tale of overnight stardom and its many pitfalls.