First published in 1997, this volume asks whether Africa’s future is necessarily rooted in peasant agriculture. The title of this book, Farewell to Farms, is deliberately intended to challenge the widely held view that Africa is the world’s reserve for peasant farming. African rural populations are themselves moving away from a reliance on agriculture. ‘De-agrarianisation’ takes the form of urban migration as well as the expansion of non-agricultural activities in rural areas providing new income sources, occupations and social identities for rural dwellers. Using recent continent-wide case study evidence, the authors assess the impact of de-agrarianisation on household welfare, business performance and national development. Their findings, which reveal new economic trajectories and social patterns emerging from a period of accelerated change, call into question assumptions about Africa’s future place in the world division of labour.

This printers, publishers and booksellers index is modeled after Bristol's Index of Printers, Publishers and Booksellers Indicated by Charles Evans in his American Bibliography. Each entry contains a name and place, with item numbers listed underneath by date. Personal names are listed in the most complete form that could be determined. Corporate names are listed in the form used by the Library of Congress. Newspapers and magazines are entered by their full titles as recorded in Brigham's American Newspapers, 1821-1936 and Union List of Serials. Also included is a geographical index by city and a list of omissions with explanations.

More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.