This study presents an ethnographic account of a fresh breed of emigrants who have left Japan to settle in Australia in pursuit of a better quality of life. They differ from "economic migrants" who went overseas before the 1970s for economic reasons but represent new types of "lifestyle migrants" who seek to enjoy a more easygoing, carefree life abroad. Based on some 200 interviews, the study attempts to portray the participants' joy and sorrow, felicity and frustration as seen through their own eyes and expressed with their own words and phrases. The Japanese version of the book won the Asia-Pacific Publication Award in 1995.

"First published in Japanese in 2014 by the University of Nagoya Press as Nihon-Gata Haigai-Shugi by Naoto Higuchi."

This award-winning book brings together Chizuko Ueno's groundbreaking essays on the rise and fall of the modern family in Japan. Combining historical, sociological, anthropological, and journalistic methodologies, Ueno - who is arguably the foremost feminist theoretician in Japan - delineates in vivid detail how the family has been changing in form and function in the last hundred years. In each chapter, Ueno introduces the reader to a different facet of modern Japanese family life, ranging from children who fantasize about being orphans to the elderly who confront 'pre-senescence.' The central focus is on the housewife - her history, her ever-changing responsibilities, her ways of surviving mid-life crisis. This is an indispensable book for students and scholars seeking to understand modern Japan.

The idea that Japan is a socially homogenous, uniform society has been increasingly challenged in recent years. This book takes the resulting view further by highlighting how Japan, far from singular or monolithic, is socially and culturally complex. It engages with particular life situations, exploring the extent to which personal experiences and lifestyle choices influence this contemporary multifaceted nation-state. Adopting a theoretically engaged ethnographic approach, and considering a range of "escapes" both physical and metaphorical, this book provides a rich picture of the fusions and fissures that comprise Japan and Japaneseness today.

From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. In the first English-language study of this phenomenon, Michael K. Bourdaghs considers genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s new music, folk, and techno-pop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of popular music production and consumption, Bourdaghs interprets Japan as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter in Sayonara Amerika, Sayonara Nippon examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres around the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture.