A series of translated essays covering German philosophy, literary theory and modern intellectual history, by the person considered to be the heir to Gadamar, Habermas and Blumenberg. The topics include the nature of myth and attempts to account for it and the questions of hermaneutics.

Rarely has a single figure had as much influence on Western thought as Sigmund Freud. His ideas permeate our culture to such a degree that an understanding of them is indispensable. Yet many otherwise well-informed students in the humanities labor under misconceptions or lack of knowledge about Freudian theory. There are countless introductions to Freudian psychoanalysis but, surprisingly, none that combine a genuinely accessible account of Freud's ideas with an introduction to their use in literary and cultural studies, as this book does. It is written specifically for use by advanced undergraduate and graduate students in courses dealing with literary and cultural criticism, yet will also be of interest to the general reader. The book consists of two parts. Part one explains Freud's key ideas, focusing on the role his theories of repression, conscious and unconscious mental processes, sexuality, dreams, free associations, "Freudian slips," resistance, and transference play in psychoanalysis, and on the relationship between ego, superego, and id. Here de Berg refutes many popular misconceptions, using examples throughout. The assumption underlying this account is that Freud offers not simply a model of the mind, but an analysis of the relation between the individual and society. Part two discusses the implications of Freudian psychoanalysis for the study of literature and culture. Among the topics analyzed are Hamlet, Heinrich Heine's Lore-Ley, Freud's Totem and Taboo and its influence on literature, the German student movement of the late 1960s, and the case of the Belgian pedophile Marc Dutroux and the public reactions to it. Existing books focus either on Freudian psychoanalysis in general or on psychoanalytic literary or cultural criticism; those in the latter category tend to be abstract and theoretical in nature. None of them are suitable for readers who are interested in psychoanalysis as a tool for literary and cultural criticism but have no firm knowledge of Freud's ideas. Freu

From acclaimed science author Jim Baggot, a lively, provocative, and “intellectually gratifying” critique of modern theoretical physics (The Economist). Where does one draw the line between solid science and fairy-tale physics? Jim Baggott argues that there is no observational or experimental evidence for many of the ideas of modern theoretical physics: super-symmetric particles, super strings, the multiverse, the holographic principle, or the anthropic cosmological principle. Unafraid to challenge prominent theorists, Baggott offers engaging portraits of many central figures of modern physics, including Stephen Hawking, Paul Davies, John D. Barrow, Brian Greene, and Leonard Susskind. Informed, comprehensive, and balanced, Farewell to Reality discusses the latest ideas about the nature of physical reality while clearly distinguishing between fact and fantasy, providing essential and entertaining reading for everyone interested in what we know and don’t know about the nature of the universe and reality itself.

This book is the latest addition to the Odéon series, a multidisciplinary series devoted to original works and translations by European writers in the areas of literature, criticism, philosophy, history and politics. An English translation of the German best-seller Abschied vom Prinzipiellen, the book offers a series of essays that present a philosophy of human morality critical of philosophical utopianism. Marquard, widely considered the heir of Gadamer, Habermas, and Blumenberg, describes his role as "skeptical philosopher" and discusses the 18th-century formation of such themes and disciplines as aesthetics, philosophical anthropology, philosophy of history, the nature of myth and attempts to account for it, and hermeneutics.

Contents Bryan G. Norton: Leopold, Hadley, and Darwin: Darwinian Epistemology, Truth, and Right Wouter de Been and Sanne Taekema: What Piece of Work is Man? Frans de Waal and Pragmatist Naturalism Nicholas Rescher: The Pragmatics of Betterment Claudio Marcelo Viale: Royce and Bernstein on Evil Barry Allen: Postmodern Pragmatism and Skeptical Hermeneutics: Richard Rorty and Odo Marquard Seth Vannatta: The Logic of Relevance in Independent School Education: A Pragmatic Critique Andrew F. Smith: Talisse¿s Epistemic Justification of Democracy Reconsidered Giovanni Maddalena: A Synthetic Pattern: Figural and Narrative Identity Review essay Mary Magada-Ward Engaging with Philosophy¿s ¿Limit-Defying Provocateur¿: A Review of Shusterman¿s Pragmatism: Between Literature and Somaesthetics

The hermeneutic turn of philosophy, initiated by Dilthey and Heidegger, led to a reevaluation of understanding of the classical disciplines of philosophy, from ontology and epistemology to aesthetics and ethics. The cognitive importance of these disciplines have been relativized to the cultural conditions in which they operate. With regard to ethics, it does not lead to the creation of some new "hermeneutic ethics," but to the hermeneutic approach to ethics which underlines the value of existing morality and reduces the pretensions of philosophical ethics to universal validity. This book presents it on the ground of a solid and innovatory analysis of ethical considerations of Schleiermacher, Nietzsche, Dilthey, Heidegger, Gadamer, Ricoeur, and Guenter Abel. (Series: Philosophy: Research and Science / Philosophie: Forschung und Wissenschaft, Vol. 46) [Subject: Philosophy, Religious Studies, Ethics]

Living Skepticism challenges the philosophical orthodoxy that dismisses skepticism as an intellectual embarrassment or overreaction. In this original collection of adventurous and engaging papers, skepticism is demonstrated to be true or insightful enough to form the core of an enlightened philosophy.