The girls of W.I.T.C.H. are facing a major crisis. The evil sorceress Nerissa, intent on exacting revenge on the Council of Elders in Candracar, is threatening to destroy the magical Veil that keeps the different worlds of the universe in balance. Can the girls stop Nerissa?

This is an Eat, Pray, Love for older women or a Wild. A memoir that explores grief, friendship, travel and self-discovery. An accessible take on the enduring trend for grief and self-discovery memoirs (H is for Hawk, The Year of Magical Thinking). "Whoever has loved knows all that life contains of sorrow and joy." George Sand Renowned journalist Nadine Williams is heartbroken, following the untimely death of her French–born husband, Olivier. Long–time friend Jane, alarmed at Nadine's despair, suggests a return to France to restore her joie de vivre. Their journey from Barcelona to Paris is peppered with hilarious battles about food, fashion and French culture, which challenge their friendship. But slowly the fun of travelling together in the glorious Loire Valley, Provence and Paris begins to lift Nadine's sadness. Alone again, Paris spins magical happenings in Nadine's life. She steps into le quartier Latin and enters the exciting worlds of independent French women, both past and present. When she meets a French man who resembles Olivier, she faces a conundrum. Does she want another man to share her future? Or will she define herself as a widow and allow her former life of love and marriage to fall away? Finally, she reflects that suffering loss is the legacy of her love story and fond memories will help heal her heart. This book is Eat, Pray, Love for Francophiles: a funny, poignant and profoundly moving memoir about love, grief, friendship, travel and renewal.

Join the girls from W.i.t.c.h. for another amazing adventure as they battle to save the world from evil once more!

A fascinating examination of the ambitions and friendships of a talented group of midcentury women artists Farewell to the Muse documents what it meant to be young, ambitious, and female in the context of an avant-garde movement defined by celebrated men whose backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s, and 1950s, Whitney Chadwick charts five female friendships among the Surrealists to show how Surrealism, female friendship, and the experiences of war, loss, and trauma shaped individual women’s transitions from someone else’s muse to mature artists in their own right. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the front line. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington’s lover Max Ernst and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s. This history brings a new perspective to the political context of Surrealism as well as fresh insights on the vital importance of female friendship to its progress.

''A Farewell to Arms'' is Hemingway's classic set during the Italian campaign of World War I. The book, published in 1929, is a first-person account of American Frederic Henry, serving as a Lieutenant ("Tenente") in the ambulance corps of the Italian Army. It's about a love affair between the expatriate American Henry and Catherine Barkley against the backdrop of the First World War, cynical soldiers, fighting and the displacement of populations. The publication of ''A Farewell to Arms'' cemented Hemingway's stature as a modern American writer, became his first best-seller, and is described by biographer Michael Reynolds as "the premier American war novel from that debacle World War I."

This Italian fiction is a true drama about disappointment, with little action but a fantastic psychological breakdown of characters and their circumstances. It is filled with themes of revolt, disillusioned remorse, and willful condemnation as a means to redemption. After a thoughtful reading of this remarkable work, one can find several other significant themes. The title, Addio, Amore! (Farewell, Love!), carries with it the anguished cry of a soul fated to pursue love in a world that seems to have none at all. The characters in this work are induced with sensitive power and sympathetic extent of spirit. The author of this work, Matilde Serao, was a Greek-born Italian journalist and novelist and was the first woman called to edit an Italian newspaper. She was also nominated for Nobel Prize six times. The pressure of a journalistic profession in no way restricted her literary career, and between 1890 and 1902, she produced seven superhit novels, including Farewell, Love!.

Eles Wilmington is a writer, a wonder, and a fair woman. She likes the month of August and eloquently writes down her thoughts as a form of her liberty. In blossoms of her youthful days, she was acquainted with Agustine Lockheart, a grandson of a Don. Her summer is filled with happiness, love, and bittersweet memories. It is one of the unforgettable seasons of her life and she never regrets making the decision that made her a maiden for the rest of her life. �You can have my heart, Agustine. Soon, if it beats fully for you.� -Eles Wilmington �Those ladies are boring. You are always my favorite and one of my best leisure.� -Agustine Lockheart