LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

With this book thousands of Australians will relive the thrill of overland travels through the Middle East, Central Asia, India and Africa. Until unrest and warfare shut them down in the late 70s, adventure bus journeys were all the rage with young travellers, headed to or from Europe and Britain. In this splendid illustrated book, Gerald Davis recreates a time that lives on in exciting memories.

The Other Side of Memory is the attribution of meaning and significance to the events of our lives. There is purpose in our being, and it may take a lifetime to realize it and understand it. In this book, the author attempts to make sense of his varied experiences by exploring a few dimensions of his life. His family heritage, work as a pastor and teacher, interest in archaeology, theater, mystical experiences, and more all contributed to who he has become and have added texture and meaning to his life.

Novelist and critic Alexander Theroux analyzes the pop song. National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killa), but he considers stupid rhymes, as well ― nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more. In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language ― the power of words and the nature of syntax ― in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.

Prelude transports you to nineteenth-century New York and invites you to step into another time--a time that shaped a nation and defined her faith. This lively story carries you from immigrant ships to opulent estates, from skating-rink evangelistic crusades to star-studded concert halls, and introducing you to men and women you'll grow to love: a brooding blind musician, his suspicious but sympathetic sister-in-law, an unlikely pair of medical partners, and a struggling immigrant family.