This scroll saw pattern book features 30 patterns for castles, dragons, knights, unicorns and more medieval subjects. Learn the secrets behind making plain pine into a stunning segmentation piece. By simply following the easy-to-follow instructions, you will learn to cut, sand, stain and paint memorable wooden mosaics. 30 patterns included!

Scroll saw segmentation is a technique much like classic intarsia: shapes are cut out, painted, and then reassembled on a wooden backing. The 30 projects offered in this collection are called mosaics because the finished pieces resemble the brightly colored ceramic tile and stone mosaics created by the ancient Romans. Each piece of the mosaic is numbered to indicate the color required. Among the subjects included are lighthouses, ships, insects, and flowers.

Bless your friends, neighbors and even your own home with these wooden plaques symbolizing faith, love, and prosperity! Over 30 patterns for hexsigns, marriage blessings, house blessings and more included.

In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.

Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.