Meanwhile, by assimilating the Other into our own modes of representation of reality and imagination, twentieth-century female writers of the fantastic show how alternative identities can be shaped and social constituencies can be challenged."--BOOK JACKET.

The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this volume offers a mosaic of the fantastic now. The contributions pinpoint and discuss current developments in theory and practice by offering enlightening snapshots of the contemporary Anglophone landscape of research in the fantastic. The authors' arguments and analyses thus give new impetus to the field's theoretical and methodological approaches, its textual materials, its main interests, and its crucial findings.

The Fantastic Other is a carefully assembled collection of essays on the increasingly significant question of alterity in modern fantasy, the ways in which the understanding and construction of the Other shapes both our art and our imagination. The collection takes a unique perspective, seeing alterity not merely as a social issue but as a biological one. Our fifteen essays cover the problems posed by the Other, which, after all, go well beyond the bounds of any single critical perspective. With this in mind, we have selected studies to show how insights from deconstruction, Marxism, feminism, and Freudian, Jungian and evolutionary psychology help us understand an issue so central to the act of reading.

Collects Fantastic Four (1961) #204-214. The Fantastic Four have been fighting Skrulls since their early days - and, somehow, it just never gets old... unlike the FF themselves! An aging ray has three-quarters of the foursome at death's door, but they'll fight the Skrulls to the finish alongside Nova and the Champions of Xandar - at least until a greater threat rises from the Champions' own ranks! The Sphinx is ready to conquer the world, and Mr. Fantastic knows of only one opponent who can stop him: Galactus, who just wants to DESTROY the world instead! Includes the first appearances of Terrax the Tamer and H.E.R.B.I.E. the robot - but which one will prove the greater threat? Also featuring Spider-Man, Medusa, S.H.I.E.L.D., and cameos from across the chronicles of history!

Collects Fantastic Four (1961) #393-402, Fantastic Force (1994) #7-9, Fantastic Four: Atlantis Rising (1995) #1-2, Fantastic Four: Atlantis Rising Collector’s Preview (1995) #1. The Fantastic Four reunite - and everything falls apart! As the Invisible Woman searches for her missing husband, Mister Fantastic, the scarred Thing seeks payback on Wolverine - and the wrath of a rogue Watcher leads the FF into war on a truly cosmic scale! Then, sorceress Morgan Le Fay forces the sunken continent of Atlantis back above the waves, causing a crisis for Namor and his water-breathing people! The FF race to their aid as Thor, the Inhumans and Franklin Richards' young team the Fantastic Force all become ensnared in Morgan's scheme. But when the sorceress' chilling endgame comes to light, can even the combined might of all the assembled heroes save the day?

Every reader of literature interprets the literary text on the basis of information they have acquired from previous reading, and according to norms they have established, either consciously or not, with regard to a work of literature. In this study, originally published in 1985, the author clarifies the concepts of magical realism and the fantastic, and establishes a series of guidelines that will allow us to distinguish between the two similar yet independent modes. The reader will thus be able to identify the implicit framework upon which the author of the fantastic and of magical realism bases their text.

Vernon Lee writes in the Preface to Hauntings, “My ghosts are what you call spurious ghosts... of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle. The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.