This book reveals the unique contribution made by the three founding fathers of British fantasy—Lord Dunsany, E. R. Eddison and J. R. R. Tolkien—to our culture’s perennial reassessment of the meanings of time, death and eternity. It traces the poetic, philosophical and theological roots of the striking preoccupation with mortality and temporality that defines the imagined worlds of early fantasy fiction, and gives both the form of such fiction and its ideas the attention they deserve. Dunsany, Eddison and Tolkien raise some of the oldest questions in existence: about the limits of nature, human and divine; cosmic creation and destruction; the immortality conferred by art and memory; and the paradoxes and uncertainties generated by the universal experience of transience, the fear of annihilation and the desire for transcendence. But they respond to those questions by means of thought experiments that have no precedent in modern literary history. This book has won the '2021 Mythopoeic Scholarship Award' for Myth and Fantasy Studies.

Love and death are prevalent motifs in legend, art, literature, and opera, as well as in the fantasies of most people. In art and life, the love/death archetype transcends culture, time, and geography. This book addresses two kinds of fantasies of love and death, one the passionate wish to die together with a loved one, the other the desire to extend one's life—and loves—after death. Illustrating how these love/death phenomena span a continuum from the normal to the pathological, Helen Gediman delves into the psychoanalytic meanings of these fantasies and motifs, as embedded in the arts, as well as in the human psyche.

In 1956, J. R. R. Tolkien famously stated that the real theme of The Lord of the Rings was "Death and Immortality." The deaths that underscore so much of the subject matter of Tolkien's masterpiece have a great deal to teach us. From the heroic to the humble, Tolkien draws on medieval concepts of death and dying to explore the glory and sorrow of human mortality. Three great themes of death link medieval Northern European culture, The Lord of the Rings, and contemporary culture: the way in which we die, the need to remember the dead, and above all the lingering apprehension of what happens after death. Like our medieval ancestors, we still talk about what it means to die as a hero, a traitor, or a coward; we still make decisions about ways to honor and remember the departed; and we continue to seek to appease and contain the dead. These themes suggest a latent resonance between medieval and modern cultures and raise an issue not generally discussed in contemporary Western society: our deeply rooted belief that how one dies in some way matters. While Tolkien, as a medieval scholar, naturally draws much of his inspiration from the literature, folklore, and legends of the Middle Ages, the popularity of his work affirms that modern audiences continue to find these tropes relevant and useful. From ideas of "good" and "bad" deaths to proper commemoration and disposal of the dead, and even to ghost stories, real people find comfort in the ideas about death and dying that Tolkien explores. "The Sweet and the Bitter": Death and Dying in J. R. R. Tolkien's The Lord of the Rings examines the ways in which Tolkien's masterwork makes visible the connections between medieval and modern conceptions of dying and analyzes how contemporary readers use The Lord of the Rings as a tool for dealing with death.

Acclaimed epic fantasy author John Gwynne returns with the first book in a new trilogy, perfect for fans of George R. R. Martin, Brandon Sanderson, and David Gemmell. "A Time of Dread reminds me of why I became a fantasy enthusiast in the first place." -- Robin Hobb A race of warrior angels, the Ben-Elim, once vanquished a mighty demon horde. Now they rule the Banished lands, but their peace is brutally enforced. In the south, hotheaded Riv is desperate to join the Ben-Elim's peacekeeping force, until she unearths a deadly secret. In the west, the giantess Sig investigates demon sightings and discovers signs of an uprising and black magic. And in the snowbound north, Drem, a trapper, finds mutilated corpses in the forests. The work of a predator, or something far darker? It's a time of shifting loyalties and world-changing dangers. Difficult choices need to be made. Because in the shadows, demons are gathering, waiting for their time to rise. . .

Tell me, little butterfly, what would you do for love? In the wake of a crushing defeat, Tisaanah and Maxatarius have been ripped apart. Tisaanah is desperate to rescue Max from his imprisonment, even as her people's fight for freedom grows more treacherous. But within the walls of Ilyzath, Max's mind is a shadow of what it once was... leaving his past a mystery and his future at the mercy of Ara's new, ruthless queen. Meanwhile, in the Fey lands, Aefe has been dragged back into this world by a king who vows to destroy civilizations in her name. But even as her past returns to claim her, her former self is a stranger. Tisaanah, Max, and Aefe are thrust into the center of a cataclysm between the human and Fey worlds. The unique magic they share is key to either winning the war, or ending it. But that power demands sacrifice. Tisaanah may be forced to choose between love and duty. Max cannot forge his future without confronting his past. And Aefe must decide between reclaiming who she was, or embracing who she has become. The choices they make will either reshape this world forever...or end it. In the harrowing finale of the War of Lost Hearts trilogy, a tale of romance, magic, vengeance, and redemption comes to a close -- perfect for fans of Sarah J. Maas, Miranda Honfleur, and Danielle Jenson.

The audacious first novel from the award-winning and bestselling author of Boy, Snow, Bird and What Is Not Yours Is Not Yours • “Oyeyemi brilliantly conjures up the raw emotions and playground banter of childhood. . . . A masterly first novel.”–The New York Times Book Review "Remarkable. . . . As original as it is unsettling, The Icarus Girl runs straight at the heart of what it means to belong."– O, The Oprah Magazine Jessamy “Jess” Harrison, age eight, is the child of an English father and a Nigerian mother. Possessed of an extraordinary imagination, she has a hard time fitting in at school. It is only when she visits Nigeria for the first time that she makes a friend who understands her: a ragged little girl named TillyTilly. But soon TillyTilly’s visits become more disturbing, until Jess realizes she doesn’t actually know who her friend is at all. Drawing on Nigerian mythology, Helen Oyeyemi presents a striking variation on the classic literary theme of doubles — both real and spiritual — in this lyrical and bold debut.

England, 1337: Edward III is beset on all sides. He needs a victory against the French to rescue his throne, but he's outmanned. King Philip VI can put 50,000 men in the field, but he is having his own problems: he has sent his priests to summon the angels themselves to fight for France, but the angels refuse to fight, and Philip won't engage the battle without the backing of the angels.As England and France head toward certain war, Edward yearns for God's favor but as a usurper, can't help but worry—what if God truly is on the side of the French? Edward could call on Lucifer and open the gates of Hell and take an unholy war to France...for a price. Mark Adler breathes fresh and imaginative life into the Hundred Years War in this sweeping historical epic.