In this exquisite poem, John Rorke explores the fascinating world of early photography. Rorke's verse is at once lyrical and evocative, a celebration of the power of the photograph to capture memories and tell stories. From daguerreotypes to stereographs, Rorke's words paint a vivid picture of a world transformed by the invention of photography. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Fancy Pictures brings together seven of Mark Neville's socially engaged and intensely immersive projects from the last decade. Neville often pictures working communities in a collaborative process intended to be of direct, practical benefit to his subjects. The Port Glasgow Book Project (2004) is a book of his social documentary images of the Scottish town. Never commercially available, copies were given directly to all 8,000 residents. Deeds Not Words (2011) focuses on Corby, an English town that suffered serious industrial pollution. Neville produced a book to be given free to the environmental health services department of each of the 433 local councils in the UK. Battle Against Stigma and Helmand are both projects resulting from Neville's time in Afghanistan. Two projects for the USA are also included. Invited by the Andy Warhol Museum in 2012, Neville examined social divisions in Pittsburgh, and the photo-essay Here is London, commissioned by The New York Times Magazine, echoes the style of the celebrated photographers who documented the boom and bust of the 1970s and '80s.

Born in Ramsgate during the 1940s, Brenda Bottle was the youngest of nine in a poor but close family. She left school to work as a secretary for British Rail, where she met her husband. But by the age of twenty-seven, the marriage was over. Brenda left her job and with the little she had saved, enrolled at Guildford Drama School. And so her life as an actress began. One of Britain's best-loved actresses, Brenda Blethyn has dazzled in a vast number of roles, including her performances as downtrodden Cynthia in Mike Leigh's SECRETS AND LIES and as the man-eating Mari Hoff in LITTLE VOICE, for which she received Oscar nominations. On stage, television and film she has worked with our greatest writers and directors -- Alan Bennett, Tom Stoppard, Sam Mendes, Peter Hall -- and actors -- including Michael Caine, Jude Law, Julie Walters, Brad Pitt, Ewan McGregor and John Hurt. Brenda is one of Britain's finest character actresses, famous for playing her roles with social realism and warmth, wit and humour -- characters her audience empathise with. She has the same warmth and humour off screen too; a wonderfully down-to-earth person with a fascinating history. Told with sparkling wit and engaging honesty, MIXED FANCIES is the compelling story of her journey from the Plains of Waterloo to the National Theatre and on to television, Hollywood and stardom.

Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout