"At twenty-six, Dahlia Lighthouse has a lot to learn when it comes to the real world. Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she spent the last several years living on her own, but unable to move beyond her past-especially the disappearance of her twin brother Andy when they were sixteen. With her father's death, Dahlia returns to the house she has avoided for years. But the rest of the Lighthouse family arrives for the memorial, a gruesome discovery is made: buried in the reserved plot is another body-Andy's, his skill split open with an ax. Each member of the family handles the revelation in unusual ways. Her brother Charlie pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister Tate forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic facade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin"--

A “haunting debut: suspenseful, atmospheric, and completely riveting” (Megan Miranda, New York Times bestselling author of All the Missing Girls) about a young woman who returns home to care for her ailing mother and begins to dig deeper into her sister’s unsolved murder. Sixteen years ago, Sylvie’s sister, Persephone, never came home. Out late with the boyfriend she was forbidden to see, Persephone was missing for three days before her body was found—and years later, her murder is still unsolved. In the present day, Sylvie returns home to care for her estranged mother, Annie, as she undergoes treatment for cancer. Prone to unexplained “Dark Days” even before Persephone’s death, Annie’s once-close bond with Sylvie dissolved in the weeks after their loss, making for an uncomfortable reunion all these years later. Adding to the discomfort, Persephone’s former boyfriend is now a nurse at the cancer center where Annie is being treated. Sylvie has always believed Ben was responsible for the murder—but she carries her own guilt about that night, guilt that traps her in the past while the world goes on around her. As she navigates the complicated relationship with her mother, Sylvie begins to uncover the secrets that fill their house—and what really happened the night Persephone died. The Winter Sister is a “bewitching” (Kirkus Reviews) portrayal of the complex bond between sisters, between mothers and daughters alike, and “will captivate you from suspenseful start to surprising finish” (Kathleen Barber, author of Are You Sleeping).

Family Plots traces the fault lines of the Freudian family romance and holds that the "family plot" is very much alive in post-World War II American culture. It cuts across all genres, insinuating, criticizing, reinforcing, and reinventing itself in all forms of cultural production and consumption. The family romance is everywhere because the family itself is nowhere.

In a time of tense Chinese American relations, Filial Piety: Memoir of a Good Daughter relates a uniquely honest experience of a Chinese immigrant. Readers will be enchanted by Chinese traditions and swept into an eyewitness account of the White Terror, the Communist takeover of China, the Chinese American protests, and the obstacles of assimilating into American society. Yet even more powerful than the historical events is the strength of family love. The narrators dedication to her family perseveres through communist, feminist, and technological revolutions; through her stress and guilt as a working mother; and through the tragedy and deathbed triumph of her parents marriage. In one magnificent breath, Filial Piety takes in two cultures, two belief systems, and two marriages to show how this important valuefilial pietyendures.

This is the story of a young boy, Julius W. (Jay) Mirza, born into a Christian Assyrian Family, living in a Muslim nation, who emigrates from Iran. He and his little brother must leave the bosom of their loving family to seek an education in a foreign country in order to live a better life a life of both personal responsibility and freedom. He must enter a British boy's school in India, without any knowledge of the English language. He will not see his family but once in six years. After graduation, his education takes him first to England, then America, where he graduates with a degree in Architectural Engineering. The heart wrenching sacrifices of his parents for their son's education finds full reward in Jay's success in life his architectural practice his family, his home and his community involvement. This is a story of an immigrant to America for whom, with hard work and dedication, the American dream came true.

Poe and Women presents essays by scholars who investigate the various ways in which women--Poe's female contemporaries, critics, writers, and artists, as well as women characters in Poe adaptations--have shaped Edgar Allan Poe's reputation and revised his depictions of gender.