The true crime story of a notorious arsonist and murderer who kept a Cape Cod town in fear thanks to crooked cops. The Cape Cod beach town of Falmouth seemed like a lovely place to visit. But those who lived there year-round knew its other, darker side… Local businessman and infamous bully Melvin Reine had started setting the homes of his so-called enemies on fire. Few of his victims—or even the police—ever dared to implicate him. Because those who did would pay the price… Mysterious events kept creeping up in Falmouth. The disappearance of Melvin’s wife, a dead man found in a cranberry bog, a teenager slated to testify against Melvin who boarded a ferry, never to be seen again—was Melvin somehow responsible? Only one police officer, John Busby, had the guts to press him for answers. One day he found himself on the wrong end of a sawed-off shotgun…but managed to survive the attack. This is the shocking true story about what can happen to an all-American town when evil rules.

For hundreds of years, people have been drawn to Falmouth, the town of the "shining sea," immortalized by Falmouth native Katherine Lee Bates in her poem America, the Beautiful. Quakers, farmers, whaling captains, marine scientists, Coast Guardsmen, summer residents, Portuguese immigrants from the Azores and Cape Verde Islands, vacationers, and retiring World War II veterans have all found a special place in Falmouth. The photographs in Falmouth celebrate these people and the town they have built. Through the eyes of nearly fifty photographers, these views capture the glorious natural and architectural heritage that has defined the three-hundred-and-forty-year history of this Cape Cod community. From the spare lines of the Quaker meetinghouse and the poorhouse to the spires of churches and the elaborate summer "cottages" of Falmouth's golden age in the 1880s, these vintage photographs offer a rich visual tour through the town's history. Unforgettable images of people-whalers posing for the camera on rare trips home, fishermen returning to port, cranberry pickers, and wealthy summer residents playing croquet in summer whites-combine to show the unique community that is Falmouth.

STARRED FORWARD REVIEW STARRED SCHOOL LIBRARY JOURNAL REVIEW The little blue house in this lovely, lyrical book could be overlooking any ocean, and the narrator could be any child anywhere, gazing out over the waters, thinking about all the places she could go and imagining other little blue houses on other shores, with other children gazing back. What child doesn’t love walking in the surf, feeling the water steal the sand from beneath her toes as a wave retreats? Who doesn’t love the salty smell of the air and the sight of ships far out on the horizon? What happens in the oceans is critically important to life on Earth. That’s why the girl in her little blue house wants to believe that the children gazing back from far over the horizon love the oceans as she does and wants to keep them safe, alive, and beautiful.

Exploring a contemporary Judaism rich with the textures of family, memory, and fellowship, Jodi Eichler-Levine takes readers inside a flourishing American Jewish crafting movement. As she traveled across the country to homes, craft conventions, synagogue knitting circles, and craftivist actions, she joined in the making, asked questions, and contemplated her own family stories. Jewish Americans, many of them women, are creating ritual challah covers and prayer shawls, ink, clay, or wood pieces, and other articles for family, friends, or Jewish charities. But they are doing much more: armed with perhaps only a needle and thread, they are reckoning with Jewish identity in a fragile and dangerous world. The work of these crafters embodies a vital Judaism that may lie outside traditional notions of Jewishness, but, Eichler-Levine argues, these crafters are as much engaged as any Jews in honoring and nurturing the fortitude, memory, and community of the Jewish people. Craftmaking is nothing less than an act of generative resilience that fosters survival. Whether taking place in such groups as the Pomegranate Guild of Judaic Needlework or the Jewish Hearts for Pittsburgh, or in a home studio, these everyday acts of creativity—yielding a needlepoint rabbi, say, or a handkerchief embroidered with the Hebrew words tikkun olam—are a crucial part what makes a religious life.

A NPR, Electric Lit, and Entropy Best Book of the Year A Washington Post, Shondaland, NPR Books, Parade, Lit Hub, PureWow, Harper’s Bazaar, PopSugar, NYLON, Alta, Ms. Magazine, Debutiful and Good Housekeeping Best Book of Fall A perceptive and powerful debut of identity and belonging—of a young woman determined to be seen. Willa Chen has never quite fit in. Growing up as a biracial Chinese American girl in New Jersey, Willa felt both hypervisible and unseen, too Asian to fit in at her mostly white school, and too white to speak to the few Asian kids around. After her parents’ early divorce, they both remarried and started new families, and Willa grew up feeling outside of their new lives, too. For years, Willa does her best to stifle her feelings of loneliness, drifting through high school and then college as she tries to quiet the unease inside her. But when she begins working for the Adriens—a wealthy white family in Tribeca—as a nanny for their daughter, Bijou, Willa is confronted with all of the things she never had. As she draws closer to the family and eventually moves in with them, Willa finds herself questioning who she is, and revisiting a childhood where she never felt fully at home. Self-examining and fraught with the emotions of a family who fails and loves in equal measure, Win Me Something is a nuanced coming-of-age debut about the irreparable fissures between people, and a young woman who asks what it really means to belong, and how she might begin to define her own life.

An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother's maternal line. Using family heirlooms to unlock the mystery of Moses's ancestors, Once We Were Slaves overturns the reclusive heiress's assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings' extraordinary journey throughout the Atlantic World, Leibman examines artifacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and--at times--white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race--as well as on the role of religion in racial shift--in the first half of the nineteenth century.