When hotshot smoke jumper Silas Kent gets his own fire crew, he thinks he's achieved what he's always wanted. But a lightning-sparked fire in the Desolation Wilderness of the Sierra Nevadas has his team in a plane before they can even train together. Pilot Elle Westmore has been called up to drop the crew into the heart of the forest infernos. A single mother of a mysteriously ill six-year-old, she can't imagine her life getting any more complicated. It doesn't take long for things to go very wrong, very quickly. A suspicious engine explosion forces Elle to make an emergency landing. Silas is able to parachute to safety but soon discovers his crew can't be trusted. They're hiding something, and now Silas is on a race to save himself and Elle from the flames--and from a more dangerous threat: his own team.

Firefighting burns in Aidan O'Neill's blood. The son of a fireman, O'Neill has a sixth sense about fire and often takes dangerous risks. When one act of disobedience nearly gets a rookie killed, O'Neill is suspended. His weeks off are supposed to be a time to reflect but instead he escapes to Mexico, where another rash act of bravery actually kills him. But only for a few minutes. Called back to Reno, he's now haunted by visions of hell and paralyzed in the face of fire. And at the worst time, because an arsonist is targeting Reno. With a growing love interest with one of the investigators complicating everything, Aidan must discover where his trust rests as the fires creep ever closer.

Jonathan Trestle is a paramedic who's spent the week a few steps behind the angel of death. When he responds to a call about a man sprawled on a downtown sidewalk, Trestle isn't about to lose another victim. CPR revives the man long enough for him to hand Trestle a crumpled piece of paper and say, "Give this to Martin," before being taken to the hospital. The note is a series of dashes and haphazard scribbles. Trestle tries to follow up with the patient later, but at the ICU he learns the man awoke, pulled out his IVs, and vanished, leaving only a single key behind. Jonathan tracks the key to a nearby motel where he finds the man again--this time not just dead but murdered. Unwilling to just let it drop, Jonathan is plunged into a mystery that soon threatens not only his dreams for the future but maybe even his life.

An instant New York Times bestseller, this prequel to the acclaimed Cork O’Connor series is “a pitch perfect, richly imagined story that is both an edge-of-your-seat thriller and an evocative, emotionally charged coming-of-age tale” (Kristin Hannah, #1 New York Times bestselling author) about fathers and sons, small-town conflicts, and the events that shape our lives forever. Aurora is a small town nestled in the ancient forest alongside the shores of Minnesota’s Iron Lake. In the summer of 1963, it is the whole world to twelve-year-old Cork O’Connor, its rhythms as familiar as his own heartbeat. But when Cork stumbles upon the body of a man he revered hanging from a tree in an abandoned logging camp, it is the first in a series of events that will cause him to question everything he took for granted about his hometown, his family, and himself. Cork’s father, Liam O’Connor, is Aurora’s sheriff and it is his job to confirm that the man’s death was the result of suicide, as all the evidence suggests. In the shadow of his father’s official investigation, Cork begins to look for answers on his own. Together, father and son face the ultimate test of choosing between what their heads tell them is true and what their hearts know is right. In this “brilliant achievement, and one every crime reader and writer needs to celebrate” (Louise Penny, #1 New York Times bestselling author), beloved novelist William Kent Krueger shows that some mysteries can be solved even as others surpass our understanding.

This year, for Christmas, LA’s definitely feeling more jammed up than joyful. When someone infects human Santa Claus stand-ins with magic they can’t control, Christmas suddenly becomes more menacing than merry. The last thing LA needs is to deal with a disaster that might bring the whole human population to their doorstep with pitchforks and torches. She’s woefully behind on her gift shopping. Her Aunt Trudy is keeping secrets. And a certain, bossy police detective is definitely not what he seems. LA and Deg must work their way through a suspect list that includes some pretty heavy hitters in the magical and mythological realms, and find the proverbial strand of tinsel on the tree that leads to the troublemaker. It’s starting to look a lot like crisis, and a pair of rosy cheeks and a jolly giggle might not be enough to keep the Peace on Earth this year.

Robyn. J. Whitaker interprets the Book of Revelation within the context of ancient rhetoric and religion. She argues that the author of Revelation uses a popular rhetorical tool, ekphrasis, to paint word-pictures of God that compete with material images to both critique image-making and simultaneously make an absent God present.

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