From Out of the Binders co-founder Lux Alptraum, a controversial look at women, sex, and lying-why myths about women's deceit persist, how they came to be, and ultimately why we must trust women When we talk about sex, we talk about women as mysterious, deceptive, and - above all - untrustworthy. Women lie about orgasms. Women lie about being virgins. Women lie about who got them pregnant, about whether they were raped, about how many people they've had sex with and what sort of experiences they've had - the list goes on and on. Over and over we're reminded that, on dates, in relationships, and especially in the bedroom, women just aren't telling the truth. But where does this assumption come from' Are women actually lying about sex, or does society just think we are' In Faking It, Lux Alptraum tackles the topic of seemingly dishonest women; investigating whether women actually lie, and what social situations might encourage deceptions both great and small. Using her experience as a sex educator and former CEO of Fleshbot (the foremost blog on sexuality), first-hand interviews with sexuality experts and everyday women, Alptraum raises important questions: are lying women all that common - or is the idea of the dishonest woman a symptom of male paranoia' Are women trying to please men, or just avoid their anger' And what affect does all this dishonesty - whether real or imagined - have on women's self-images, social status, and safety' Through it all, Alptraum posits that even if women are lying, we're doing it for very good reason-to protect ourselves ("My boyfriend will be here any minute," to a creep who won't go away, for one), and in situations where society has given us no other choice.

The writers of CollegeHumor.com share irreverent advice on how to navigate the peaks and valleys of today's sexual, financial, and social arenas, from bluffing one's way through an on-the-job conversation to using buzzwords to impress cultural circles.

Musicians strive to "keep it real"; listeners condemn "fakes"; but does great music really need to be authentic? By investigating this obsession in the last century, this title rethinks what makes popular music work.

After breaking off her engagement, thirty-something Andi Cutrone yields New England to her ex and flees home to Long Island. There, she devotes her time to teaching in the writing program at Brooklyn University and over analyzing her past failed relationships. But then she meets Devin, a male escort whose client list seems to include at least half of the accomplished women she knows. He is handsome, charismatic, and absolutely out of her league, but she can't deny he has a certain ... something. And so Andi makes him a proposition: if he will teach her to shed her sexual inhibitions, she will teach him to be a writer. He agrees, and together they embark upon an intense partnership that proves to be every bit as instructive as it is arousing. For in the midst of lessons in rhetorical theory and foreplay, Andi and Devin delve into deeper questions about truth, beauty, and self, stripping away the emotional walls each has built up.--From back cover.

The designer tells "about his remarkable career and equally remarkable life."--Jacket.

Kyle Mewburn grew up in the sunburnt, unsophisticated Brisbane suburbs of the 1960s and '70s in a household with little love and no books, with a lifelong feeling of being somehow wrong – like ‘strawberry jam in a spinach can'. In this book, Kyle describes this early life and her journey to becoming her own person – a celebrated children’s book author, a husband and, finally, a woman. She shares the dreams, the prejudice and the agony of growing up trans and coming out, the lengthy physical ordeal of facial feminisation surgery, and her experiences as a woman – good, bad and creepy. This is a heartbreaking, often hilarious, candid true story about what it means to hide from yourself, your partner and the world, and then to attain the freedom and acceptance of being yourself. A story with the bittersweet beauty you’d expect from the writer of Old Huhu that is relevant for anyone wanting to know and understand the trans experience – or anyone wanting to discover who they are and what they are meant to be.

From New York Times and USA Today bestselling author Jennifer Crusie comes Faking It, a deliciously sassy novel of intrigue, seduction, blackmail, art forgery, split personalities, and really great sex. Meet the Goodnights, a respectable family who run a respectable art gallery—and have for generations. There's Gwen, the matriarch, who likes to escape reality; Eve, the oldest daughter, who has a slight identity problem (she has two); Nadine, the granddaughter, who's ready to follow in the family footsteps as soon as she can find a set that isn't leading off a cliff. And last, Matilda, the youngest daughter, who has inherited the secret locked down in the basement of the Goodnight Gallery, a secret she's willing to do almost anything to keep, even break into a house in the dead of night to steal back her past. Meet the Dempseys, or at least meet Davy, a reformed con man who's just been ripped off for a cool three million by his financial manager, who then gallantly turned it over to Clea Lewis, the most beautiful sociopath Davy ever slept with. Davy wants the money back, but more than that, he'll do anything to keep Clea from winning, including break into her house in the dead of night to steal back his future. One collision in a closet later, Tilda and Davy reluctantly join forces to combat Clea, suspicious art collectors, a disgruntled heir, and an exasperated hit man, all the while coping with a mutant dachshund, a jukebox stuck in the sixties, questionable sex, and the growing realization that they can't turn their backs on the people they were meant to be . . . or the people they were born to love.