"Faith and Freedom in Galatia and Senegal" reads Galatians 2:11-15 and 3:26-29 through the lens of the 19th-20th century experiences of French colonialism by the Diola people in Senegal, West Africa, and portrays the Apostle Paul as a "'sociopostcolonial hermeneut who acted on his self-understanding as God s messenger to create, through faith in the cross of Christ, free communities' -- a self-definition that is critical of ancient Graeco-Roman and modern colonial lore that justify colonization as a divine mandate." Aliou C. Niang ingeniously compares the colonial objectification of his own people by French colonists to the Graeco-Roman colonial objectifications of the ancient Celts/Gauls/Galatians, and Paul's role in bringing about a different portrayal.

In Faith and Freedom in Galatia: A Senegalese Diola Sociopostcolonial Hermeneutics, Niang argues that the apostle Paul is a sociopostcolonial hermeneut who acted on his self-understanding as Gods messenger to create/form, through faith in the cross of Christ, free communities--a self definition that echoes some features of ancient Graeco-Roman and modern colonial lore. This above thesis is bolstered with contributions from social sciences, postcolonial theories, biblical hermeneutics, and an exegetical analysis of Gal 2:11-15 and 3:26-29--a method Niang calls a Senegalese sociopo stcolonial hermeneutics. The dissertation compares the French colonial objectifications of Diola people, of Sénégal, West Africa, in the nineteenth and twentieth centuries to the Graeco-Roman objectifications of the descendents of the ancient Celts (the Gauls/Galatians of Asia Minor) as savage beasts, primitive, irreligious, fickle, bibulous, and warmongering barbarians who threatened civilization; and therefore, must be tamed and civilized/colonized. Insight was drawn from Graeco-Roman writers, modern classicists, epigraphical evidence unearthed in Asia Minor, and ethnographical conclusions on the Diola socioreligious world to show that colonial typologies were overdrawn. Both Gauls/Galatians and Diola people had their own civilizations re gulated by complex divine judicial systems that required delicate rituals of confessions/reconciliation for wrongdoers. The exegetical and concluding sections emphasize Pauls role in bringing about an alternative mode of community construction. He does this through a countercolonial story of faith in Jesus Christ that dismantles enslaving and negative colonial typologies, decolonizes and powerfully reshapes the mind of the colonized into free children of God who share a new common identity in Christ--an inclusive and egalitarian people in the community of God (Gal 3:26-29). In response to French colonization, Aline Sitoé, a Diola prophetess, exercised an.

In this incisive commentary, Nancy Bedford explores Paul's Letter to the Galatians as it addresses pressing issues in the earliest Christian churches. Paul argues that it is not necessary for Gentiles to become full-fledged Jews in order to follow Jesus. In Jesus Christ, differences among people will continue. Bedford sees that equality in Christ (Galatians 3:28) does not erase differences but instead breaks down hierarchical relationships among many different people and groups. She considers the implications of these convictions for Christian faith today, particularly for those outside of Western Christian traditions. Bedford's unique theological-interpretive approach to Galatians is suitable for preaching and teaching preparation and is a welcome addition to the Belief series.

Leading New Testament scholar Craig Keener is widely respected for his thorough research, sound judgments, and knowledge of ancient sources. His four-volume magnum opus on Acts has received high praise from all quarters. This commentary on Paul's Letter to the Galatians features Keener's meticulous and comprehensive research and offers a wealth of fresh insights. It will benefit students, pastors, and church leaders alike.

Life Under the Baobab Tree: Africana Studies and Religion in a Transitional Age is a compendium of innovating essays meticulously written by early and later diaspora people of African descent. Their speech arises from the depth of their experiences under the Baobab tree and offers to the world voices of resilience, newness/resurrection, hope, and life. Resolutely journeying on the trails of their ancestors, they speak about setbacks and forward-looking movements of liberation, social transformation, and community formation. The volume is a carefully woven conversation of intellectual substance and structure across time, space, and spirituality that is quintessentially “Africana” in its centering of methodological, theoretical, epistemological, and hermeneutical complexity that assumes nonlinear and dialogical approaches to developing liberating epistemologies in the face of imperialism, colonialism, racism, and religious intolerance. A critical part of this conversation is a reconceptualization and reconfiguration of the concept of religion in its colonial and imperial forms. Life Under the Baobab Tree examines how Africana peoples understand their corporate experiences of the divine not as “religion” apart from its intimate connections to social realities of communal health, economics, culture, politics, environment, violence, war, and dynamic community belonging. To that end Afro-Pessimistic formulations of life placed in dialogic relation Afro-Optimism. Both realities constitute life under the Baobab tree and represent the sturdiness and variation that anchors the deep ruptures that have affected Africana life and the creative responses. The metaphor and substance of the tree resists reductionist, essentialist, and assured conclusions about the nature of diasporic lived experiences, both within the continent of Africa and in the African Diaspora.

A critical study for those interested in the intersection of art and biblical interpretation With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation. Features Resources for understanding the relation of texts to artistic paintings and images Tools for integrating multiple approaches both to biblical and artistic interpretation Sixty images and fifteen illustrations

This collection of nineteen representative essays is a Festschrift written by former colleagues and students in honor of Prof. Dr. Robert Jewett (1933-2020) and his legacy. Our hope is that future generations of Bible readers will find this textbook on biblical interpretation helpful for navigating through the strong winds of exegetical, theological, and hermeneutical methods. Jewett's expansive research interests have inspired each author in this tribute volume, each of whom has witnessed to the ways that helmsman Jewett has navigated through the often-choppy ocean waters of biblical interpretation--as well as the complex, changing world of religion, sacred texts, films and popular culture, psychology and sociology, politics and Pauline studies. Contributors Kathy Ehrensperger Brigitte Kahl Aliou C. Niang Aida Besancon Spencer Lallene Rector T. Christopher Hoklotubbe Najeeb T. Haddad Robert K. Johnston Frank Hughes Goh Menghun Hii Kong-hock Lim Kar Yong Keith Burton Sheila McGinn Douglas Campbell Ellen Jewett William S. Campbell Troy W. Martin Zakali Shohe Christopher Deacy A. Andrew Das Frederick Mawusi Amevenku