Examines pantomime and theatricality in nineteenth-century histories of folklore and the fairy tale. In nineteenth-century Britain, the spectacular and highly profitable theatrical form known as "pantomime" was part of a shared cultural repertoire and a significant medium for the transmission of stories. Rowdy, comedic, and slightly risqué, pantomime productions were situated in dynamic relationship with various forms of print and material culture. Popular fairy-tale theater also informed the production and reception of folklore research in ways that are often overlooked. In Staging Fairyland: Folklore, Children's Entertainment, and Nineteenth-Century Pantomime, Jennifer Schacker reclaims the place of theatrical performance in this history, developing a model for the intermedial and cross-disciplinary study of narrative cultures. The case studies that punctuate each chapter move between the realms of print and performance, scholarship and popular culture. Schacker examines pantomime productions of such well-known tales as "Cinderella," "Little Red Riding Hood," and "Jack and the Beanstalk," as well as others whose popularity has waned—such as, "Daniel O'Rourke" and "The Yellow Dwarf." These productions resonate with traditions of impersonation, cross-dressing, literary imposture, masquerade, and the social practice of "fancy dress." Schacker also traces the complex histories of Mother Goose and Mother Bunch, who were often cast as the embodiments of both tale-telling and stage magic and who move through various genres of narrative and forms of print culture. These examinations push at the limits of prevailing approaches to the fairy tale across media. They also demonstrate the degree to which perspectives on the fairy tale as children's entertainment often obscure the complex histories and ideological underpinnings of specific tales. Mapping the histories of tales requires a fundamental reconfiguration of our thinking about early folklore study and about "fairy tales": their bearing on questions of genre and ideology but also their signifying possibilities—past, present, and future. Readers interested in folklore, fairy-tale studies, children's literature, and performance studies will embrace this informative monograph.

After returning to Fairyland, September discovers that her stolen shadow has become the Hollow Queen, the new ruler of Fairyland Below, who is stealing the magic and shadows from Fairyland folk and refusing to give them back.

Learning to read is fun with the Rainbow Magic Fairies! Developed in conjunction with Early Years reading consultants and based on the most up-to-date educational research, the Rainbow Magic Beginner Readers are the perfect way to introduce your child to the magical world of reading.

"One of the most extraordinary works of fantasy, for adults or children, published so far this century."-Time magazine, on the Fairyland series When a young troll named Hawthorn is stolen from Fairyland by the Red Wind, he becomes a changeling--a human boy--in the strange city of Chicago, a place no less bizarre and magical than Fairyland. Left with a human family, Hawthorn struggles with his troll nature and his changeling fate, while attending school and learning about human kindnesses-and un-kindnesses. In a starred review, Kirkus noted, "Every page of this book contains at least one stunning sentence. Valente's descriptions of the human world make it sound like an exotic place, even when she just lists things to see: 'diamonds and dinosaur bones and Canadian geese and the Cathedral of Notre Dame and ballpoint pens.' Readers may wish the words were food, so they could eat them up. And they may keep reading this series for just as long as people have been arguing about Oz." In this fourth installment of her saga, The Boy Who Lost Fairyland, Catherynne M. Valente's wisdom and wit will charm readers of all ages.

A beautiful, vibrant memoir about growing up motherless in 1970s and ’80s San Francisco with an openly gay father. After his wife dies in a car accident, bisexual writer and activist Steve Abbott moves with his two-year-old daughter to San Francisco. There they discover a city in the midst of revolution, bustling with gay men in search of liberation—few of whom are raising a child. Steve throws himself into San Francisco’s vibrant cultural scene. He takes Alysia to raucous parties, pushes her in front of the microphone at poetry readings, and introduces her to a world of artists, thinkers, and writers. But the pair live like nomads, moving from apartment to apartment, with a revolving cast of roommates and little structure. As a child Alysia views her father as a loving playmate who can transform the ordinary into magic, but as she gets older Alysia wants more than anything to fit in. The world, she learns, is hostile to difference. In Alysia’s teens, Steve’s friends—several of whom she has befriended—fall ill as AIDS starts its rampage through their community. While Alysia is studying in New York and then in France, her father tells her it’s time to come home; he’s sick with AIDS. Alysia must choose whether to take on the responsibility of caring for her father or continue the independent life she has worked so hard to create. Reconstructing their life together from a remarkable cache of her father’s journals, letters, and writings, Alysia Abbott gives us an unforgettable portrait of a tumultuous, historic time in San Francisco as well as an exquisitely moving account of a father’s legacy and a daughter’s love.

This final book in the New York Times-bestselling Fairyland series finds September accidentally crowned the Queen of Fairyland. But there are others who believe they have a fair and good claim on the throne, so there is a Royal Race--whoever wins will seize the crown. Along the way, beloved characters including the Wyverary, A-Through-L, the boy Saturday, the changelings Hawthorn and Tamburlaine, the wombat Blunderbuss, and the gramophone Scratch are caught up in the madness. And September's parents have crossed the universe to find their daughter. Who will win? What will become of September, Saturday, and A-Through-L? The answers will surprise you, and are as bewitching and bedazzling as fans of this series by Catherynne M. Valente have come to expect.