A collection of eighteen Brazilian tales.

DigiCat Publishing presents to you this special edition of "Fairy Tales from Brazil: How and Why Tales from Brazilian Folk-Lore" by Elsie Spicer Eells. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Brazil, the largest South American nation and the land of Football, golden beaches and the Amazon is a thriving centre of propagating universal lessons to children and the young at heart alike, via a varied set of stories and fables that have survived as legends among the lore-loving populace since time immemorial. The sincere efforts of Elsie Spicer Eells to communicate these stories to the English speaking world by retaining the coffee-induced flavour of the originals has been lauded throughout the previous century as well as at present. Bringing yet another realm of life to the stories are the superlative illustrations by Helen M. Barton, which are instrumental in creating the magical world of Brazilian folklore.

Fairy Tales from Brazil: How and Why Tales from Brazilian Folk-Lore By Eells

Excerpt from Fairy Tales From Brazil: How and Why Tales From Brazilian Folk-Lore Der and great strings of beads ornament the ebony of her neck and arms. To sit at the feet of Theresa, the ama, is to enter the gate of story land. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.