Eisner Award Winner: “A graphic debut that blends the gothic strangeness of Tim Burton with the macabre illustrations of Edward Gorey . . . wonderfully chilling.” —Financial Times Journey through the woods in this sinister, compellingly spooky collection that features four brand-new stories and one phenomenally popular tale. These are fairy tales gone seriously wrong, where you can travel to “Our Neighbor’s House” —though coming back might be a problem. Or find yourself a young bride in a house that holds a terrible secret in “A Lady’s Hands Are Cold.” You might try to figure out what is haunting “My Friend Janna,” or discover that your brother’s fiancée may not be what she seems in “The Nesting Place.” And of course, you must revisit the horror of the breakout webcomic hit “His Face All Red.” “Eerie illustrations . . . masterfully build terrifying tension.” —Booklist (starred review) “Through the Woods is, in every sense of the word, thrilling.” —The New York Times Book Review “Beautifully rendered . . . A delight for Edgar Allan Poe and Alvin Schwartz enthusiasts.” —School Library Journal (starred review) “Carroll makes the woods of the title entirely her own, a metaphor for the danger that lurks and snarls outside the door, but which entices us outside, nevertheless.” —Globe and Mail “Brilliant.” —Kirkus Reviews (starred review)

In this mischievous and utterly original debut, Hansel and Gretel walk out of their own story and into eight other classic Grimm-inspired tales. As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches. Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.

Alyssa Wade, most commonly known as the ‘White Trash Wade Girl’, is the daughter to an abusive and alcoholic father. She meets and falls in love with Race Savage, the best friend of her twin brothers, Tristan and Preston. Her father’s hatred of Race along with the age and class differences cause Alyssa to hide her feelings. Does she have the courage to overcome her low self-esteem, deal with her father’s racial prejudices, keep herself safe from her stalker, and figure out if Race really has feelings for her or if he only feels responsible for keeping her safe after the attacks on her life? Nearly nine years after leaving home to join the Army, Race Savage, the adopted son of the county sheriff, whose commitment to Military Intelligence has ended, comes home to start a security business, only to find that the gangly little girl he used to know has more than grown up. He also discovers that she is in serious danger from a stalker. In his pursuit of a relationship with Alyssa, Race discovers that he must protect Alyssa from her stalker, find a way to let her know that he doesn’t put much stock in society’s perceptions, and get her to understand that she is the only woman for him.

This book explores the idiosyncratic effects generated as fairytale and gothic horror join, clash or merge in cinema. Identifying long-held traditions that have inspired this topical phenomenon, the book features close analysis of classical through to contemporary films. It begins by tracing fairytale and gothic origins and evolutions, examining the diverse ways these have been embraced and developed by cinema horror. It moves on to investigate films close up, locating fairytale horror, motifs and themes and a distinctively cinematic gothic horror. At the book’s core are recurring concerns including: the boundaries of the human; rational and irrational forces; fears and dreams; ‘the uncanny’ and transitions between the wilds and civilization. While chronology shapes the book, it is thematically driven, with an interest in the cultural and political functions of fairytale and gothic horror, and the levels of transgression or social conformity at the heart of the films.

Presents a collection of classic and lesser known fairy tales retold with sinister plot twists and macabre characters, including "Rapunzel," "Molly Whupple," "Beauty and the Beast," and "The Island of Skeletons."

Annabelle is a rag doll who has been the cherished companion of countless girls and women. She doesn't know who made her or even exactly what she is. But she does know the stories of those who have owned her.

Kiersten White, the author of the NYT bestselling Paranormalcy trilogy, is ready to make her middle grade debut! Once upon a time, a girl skipped into the forest and became a zombie.Wait, no, that's not how this story is supposed to go. Let's try again.Once upon a time, a boy did a horrible job as a sheep-sitter and burned his tongue on stolen pie.No, children in these stories are always good and virtuous. From the top.Once upon a time, a king and queen tried to find a princess for their son to marry, and he wound up fleeing from a group of very hairy vampires.Hmmm...What about, once upon a time, a bunch of fairy tales got twisted around to be completely hilarious, a tiny bit icky, and delightfully spooky scarytales... in other words, exactly what fairy tales were meant to be. Grab some flaming torches, maybe don't accept that bowl of pease porridge, and get ready for a wickedly fun ride with acclaimed author Kiersten White and fairy tales like you've never heard them before.