The 1920s roared into the quiet bay-front utopian village of Fairhope in roadsters and riverboats carrying free thinkers, nudists, bootleg whiskey, Socialists, progressives, and some of the leading counter-culture authors and artists of the century. Founded in 1894 as a model cooperative colony, Fairhope had a name before it was a place because its settlers believed their unique venture would have a "fair hope" of success. Its cornerstone was the law of equal freedom for all. During the Jazz Age, flappers and wealthy visitors from metropolitan centers of Chicago and New York abounded during the post-war boom. They flocked to the beautiful resort spot on Mobile Bay, an entertainment center with dance and yacht clubs and a waterfront casino. The town's individualistic roots also attracted famous idealists, intellectuals, and social critics of the day, as well as mavericks, Communists, and some just plain kooks.

The 1920s roared into the quiet bay-front utopian village of Fairhope in roadsters and riverboats carrying free thinkers, nudists, bootleg whiskey, Socialists, progressives, and some of the leading counter-culture authors and artists of the century. Founded in 1894 as a model cooperative colony, Fairhope had a name before it was a place because its settlers believed their unique venture would have a "fair hope" of success. Its cornerstone was the law of equal freedom for all. During the Jazz Age, flappers and wealthy visitors from metropolitan centers of Chicago and New York abounded during the post-war boom. They flocked to the beautiful resort spot on Mobile Bay, an entertainment center with dance and yacht clubs and a waterfront casino. The town's individualistic roots also attracted famous idealists, intellectuals, and social critics of the day, as well as mavericks, Communists, and some just plain kooks.

Three centuries of Utopian dreams came true in the 1890s, when a group of idealists founded Fairhope as a cooperative colony on a lush bluff along Alabama's Gulf Coast. The visionary settlers thought their experimental village had a "fair hope" of success. An oasis of idealism and equality, Fairhope not only succeeded but grew into an elegant enclave of individualism and intellect. The bayside town is the world's oldest and largest single-tax colony as well as a popular resort that draws visitors from around the world. Photographic images herein capture the unique development by adventurous characters with diverse backgrounds. This book is a map of "Old Fairhope."

Fairhope, Alabama, was founded on the eastern shore of Mobile Bay in 1894 as a social experiment. The pioneers applied the single-tax principle and economic philosophy found in Henry George's 1879 book Progress and Poverty. The city of Fairhope was established in 1908 inside and around the colony, known today as the Fairhope Single Tax Corporation. This book celebrates the timeless Fairhope bay views and historic buildings and homes.

Winner of the 2022 James F. Sulzby Book Award from the Alabama Historical Association Alabama Quilts: Wilderness through World War II, 1682–1950 is a look at the quilts of the state from before Alabama was part of the Mississippi Territory through the Second World War—a period of 268 years. The quilts are examined for their cultural context—that is, within the community and time in which they were made, the lives of the makers, and the events for which they were made. Starting as far back as 1682, with a fragment that research indicates could possibly be the oldest quilt in America, the volume covers quilting in Alabama up through 1950. There are seven sections in the book to represent each time period of quilting in Alabama, and each section discusses the particular factors that influenced the appearance of the quilts, such as migration and population patterns, socioeconomic conditions, political climate, lifestyle paradigms, and historic events. Interwoven in this narrative are the stories of individuals associated with certain quilts, as recorded on quilt documentation forms. The book also includes over 265 beautiful photographs of the quilts and their intricate details. To make this book possible, authors Mary Elizabeth Johnson Huff and Carole Ann King worked with libraries, historic homes, museums, and quilt guilds around the state of Alabama, spending days on formal quilt documentation, while also holding lectures across the state and informal “quilt sharings.” The efforts of the authors involved so many community people—from historians, preservationists, librarians, textile historians, local historians, museum curators, and genealogists to quilt guild members, quilt shop owners, and quilt owners—making Alabama Quilts not only a celebration of the quilting culture within the state but also the many enthusiasts who have played a role in creating and sustaining this important art.

For author Ray W. Linnens, the small, mill village of Belmont in North Carolina was a great place to grow up. It gave a kid like him a lot of places to explore, and he never got bored. In Seeing the Roaring Twenties through the Eyes of an Eleven-Year-old Boy, he shares stories of a range of experiences from his life from school to play to family and more. Linnens tells how everything was good in the 1920s, but it all came crashing down in the thirties. For a young boy, daily life and the adventures that came proved to be a time of great joy and sadness. This memoir narrates Linnens’ journey through life, offering a retelling of childhood events that shaped this centenarian’s lifelong perseverance through the Roaring Twenties and the Depression era that followed.