Fair Stood the Wind for France, first published in 1944, is author H. E. Bates' fictional account of a downed English bomber-pilot and his crew over occupied France during World War II. The men are taken in by a French family who hide them in their home. However, the pilot, injured during the plane's landing, must remain in France to heal, while his crew begin their journey back to friendly territory. The pilot falls in love with the home-owner's daughter, their relationship grows and eventually they travel together across France, seeking a way back to England. Fair Stood the Wind for France rises above the average romance, however. Set against the horrors of war, it takes on a life-affirming force, enhanced by the simple, yet elegant prose of the author. Bates also excels at evoking a sense of place; much of the story occurs over the course of a hot summer in rural France, and there are many beautiful descriptions of the French countryside as it bakes in the summer heat. In 1980, the book was the subject of a 4-part television mini-series by the BBC.

During World War I W. Somerset Maugham, already by then an established playwright and author, was recruited to be a British intelligence agent. These stories reflect his wartime experiences in intelligence gathering. Though fictionalized, they managed to retain enough authentic elements for Winston Churchill to advise Maugham that their publication might be a violation of the Official Secrets Act, resulting in the author burning an additional 14 stories. Set in various locales across the continent, these remaining Ashenden stories are a precursor to the jet-setting spy novels of the 1950s and 1960s. Maugham is known as a master short story writer and these stories are no exception, combining wit and realism to create memorable characters in a unique and highly critical portrait of wartime espionage. Initially released to a mixed reception—with an early review by D. H. Lawrence being especially scathing—Ashenden has since been credited as an inspiration for numerous authors, including John Le Carré, Graham Greene, and Raymond Chandler. The latter in particular was especially impressed, writing in 1950, “There are no other great spy stories—none at all. I have been searching and I know.” This book is part of the Standard Ebooks project, which produces free public domain ebooks.

In this journey of discovery, John Micklewright travels the slow way, on foot, on paths, tracks and byways from the Channel to the Alps – from the coast of Normandy to the flanks of Mont Blanc. The Opening Country is a beautifully written account of his progress through the French countryside, an evocative patchwork of landscape, nature, history, literature, film, and – drawing on his father’s diaries that stretch back to the 1930s – of memoir. Always curious, absorbing all around him, ready on a whim to divert from his chosen route as he heads unhurriedly southwards. The natural world unfolds as spring turns to summer with surprises of bird song and butterflies, against a constant background of reminders of the economic and social story of rural France and of wars past. The result is an engrossing record of a classic long-distance walk through Britain’s nearest continental neighbour. The Opening Country is a book to fire the imagination – a call to travel slowly, to open eyes and ears, to discover and explore.

The six long stories of A Party for the Girls present H.E. Bates at his finest. A crack shot at understated tragedy, Bates is perhaps at his best with comedy and character--consider the opening line of the title story: "Miss Tompkins, who was seventy-six, bright pink-looking in a bath-salts sort of way and full of an alert but dithering energy, looked out the drawing-room window for the twentieth time since breakfast and found herself growing increasingly excited." Though virtually unknown here, as Publishers Weekly put it in their review of Bates's A Month by the Lake & Other Stories (1987), his nearly perfect stories...should set his readers clamoring for more... He is as adept at the seductive rise and fall of his narrative voice as he is cunning with naturalistic dialogue. Comparisons to Joyce, Chekhov, and Mansfield are inevitable.

Published in 1972, The Song of the Wren contains some light entertainments in the style of the Uncle Silas tales, alongside some more serious stories concerning thwarted love, love triangles, and, in two of the cases, the violence that comes out of psyches twisted by love. 'The Song of the Wren' features the intriguing Miss Shuttleworth as she spars with a young sociologist conducting a survey on various issues, leaving him dumfounded by her apparently mad behaviour and no more appreciative of nature than when he started. She appears again in 'Oh! Sweeter Than the Berry' where she proves herself more than a match for a visiting minister. Convincing him to try one homemade potion after another, she engages the tipsy Reverend in a theological debate until, stunned, he wobbles away and falls to his knees to pray for her. Taking a darker, more abstract turn 'The Man Who Loved Squirrels' is a tale of a woodsman who works alone and lives with his mother, finding company only in the forest's squirrels. A chance meeting with a traveling London woman disrupts his life and ends in tragedy. 'The Tiger Moth' depicts an affair between an airman and a schoolteacher, whose husband is missing in action. The tale hearkens back to Bates's war-time Flying Officer X stories in style, flight accounts, and pilot jargon. The bonus story 'Music for Christmas', first published in 1951, is a comic portrayal of provincial rivalries, involving a musical snob with London tastes, a north Midlands woman favouring local talent, and, relaying gossip and innuendo between the two, a grocery deliveryman.