“We are all interested in the future for that is where you and I are going to spend the rest of our lives, whether we want to or not!” Jeron Charles Criswell King, better known simply as Criswell, can rightfully be described as one of the first pop celebrity psychics. His bizarre predications — 87 per cent of which came true, he claimed — appeared from the 1950s through the 1970s in newspapers and magazines, while the flamboyant showman hosted his own Los Angeles television show, guested on national TV and in Ed Wood movies, including Plan 9 from Outer Space, alongside Vampira, Tor Johnson and Bela Lugosi. Unsuccessful attempts to find fame on Broadway and Tin Pan Alley did not prevent him from co-authoring three books on how to succeed in these fields. A member of the hidden Hollywood gay community, the story of Criswell, his triumphs and defeats, is one of fame and hope. Fact, Fictions, and the Forbidden Predictions of the Amazing Criswell is the first full-length biography of Criswell. It is the result of 20 years of research by number one fan, Edwin Canfield, and includes interviews, new information, and many startling predictions. “The world as we know it will cease to exist on August 18, 1999!”

Successful chick-lit author and TT journalist Roy Devon leads you through the videographic process, using the life and work of Smile Orange Films as a case study. Devon tracks down the legendary masters of celluloid (cathode ray and Hi8) and, with their guidance, learns how to gain wisdom through stupidity. In the process, you are given an original insight into the pre-YouTube British filmmaking scene of the 1990s, a time when the increased availability of camcorders meant that anybody could make a feature film, advertise it in a fanzine and sell it to fans around the world.

A collection of 26 interviews spanning twenty-three years with creators of darker art worldwide, whether it be film, performance, literature, or something else entirely. In many cases never meeting or being aware of each other, the vortex here is interviewer and New York film writer Shade Rupe, known for his avant interests and the cultural sector he created with his Funeral Party series of books. Everyone in this collection (with the exception of the late Divine and Brother Theodore) is working today, continuing to produce artifacts that catch the heart.

Spinegrinder is one man's ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema of the sort most that critics won't care to write about. It was the author's aim to fit as many reviews (more than 8,000!) of obscure movies into one book as possible, without sacrificing too many groundwork titles. It makes the perfect gift for horror, fantasy and exploitation movie buffs.

For author Johannes Schonherr, no place is too distant or strange that he cannot screen or hunt down obscure underground trash movies. From the bowels of New York's Lower East Side and punk clubs in San Francisco, to Moscow on a fake visa and Pyongyan, North Korea, Schonherr is a cineaste on a mission. Plus extra features such as Nick Zedd being attacked by German feminists, advice on how to run a no-budget rathouse of a cinema, GG Allin's final gig and discovering wild cinematic treats at New York's cheapest film-to-video store.

A loving look at “disposable” horror culture from the 1960s and 1970s. Over two glorious decades the horror film waged war on good taste, exploiting every taboo and bursting every envelope along the way. TRASHFIEND is the definitive guide to the chaotic, creative and endlessly entertaining golden age of horror cinema. Scott Stine (author of The Gorehound’s Guide to Splatter Films series) shines a fond but satiric light on everything from low budget horror films to grisly comic art, lurid movie magazines to late-night creature features, campy monster toys to exploitive poster art. Packed with reviews, trivia, interviews, anecdotes and rare illustrations, and written with witty and insightful flair, TRASHFIEND will fascinate aficianados, nostalgists and cinema lovers of every stripe for a fun, energetic and critical look at this beloved genre.

The Watergate scandal was a horror show. What better way to satirize it than with a horror movie? Tobe Hooper's The Texas Chain Saw Massacre premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. Leatherface vs. Tricky Dick presents a fascinating minute-by-minute exploration of the many uncanny connections between The Texas Chain Saw Massacre and Watergate, as well as other ways the film comments on contemporary politics via satire and (very) dark humor. Read and discover Chain Saw's response to the White House horrors, the Saturday Night Massacre, and more, as well as how Leatherface's masks relate to all those Nixon masks worn throughout "our long national nightmare."