Satan is not a theological concept, but a literary construct. 'Facing the Fiend' places the character within a well-defined literary tradition. Satan is established to be a highly ambiguous figure, who plays a central narrative role in a wide variety of texts. Acknowledging that the character of the devil is inherently problematic, Eva Marta Baillie deftly argues that the Satan of the Christian faith can be best understood 'phenomenologically' - through his roles and functions in stories. The author goeson to construct a detailed and wide-ranging picture of Satan's depictions in literature, presented with persuasive flair and a strong command of the subject matter. Discourse similarly touches upon wider issues of evil, and how it too is best understood in a literary context. 'Facing the Fiend' offers an intriguing insight into the cultural representations of Satan, making for a thought-provoking and engaging read. Such a comprehensive study will appeal to those with an academic interest in the relationship between theology and literature, as well as to the general reader curious about the portrayal of religion in works of fiction.

When 1930s Tokyo is threatened by a master thief who can disguise himself to look like anyone, and laughs at the law, the people of the city have nowhere else to turn but Japan's greatest detective, Akechi Kogoro. Unfortunately for Tokyo, however, Akechi Kogoro is off on overseas business, so it becomes the job of his 12-year old assistant, Kobayashi Yoshio, to track down the thief and desperately keep him at bay until his mentor returns. In the spirit of Sir Arthur Conan Doyle's Baker Street Irregulars, a classic thriller by Edogawa Rampo, grand master of Japan's Golden Age of crime and mystery fiction. Filled with disguises, tricks, "A-ha!" moments, and spiced with a unique Japanese flair, it is sure to delight readers of all ages. Will Kobayashi's intrepid band of young detectives be able to outwit the nefarious fiend, or will Tokyo be forever at the mercy of the face-swapping phantom?

»The Fiend« is a short story by F. Scott Fitzgerald, originally published in 1935. F. SCOTT FITZGERALD [1896-1940] was an American author, born in St. Paul, Minnesota. His legendary marriage to Zelda Montgomery, along with their acquaintances with notable figures such as Gertrude Stein and Ernest Hemingway, and their lifestyle in 1920s Paris, has become iconic. A master of the short story genre, it is logical that his most famous novel is also his shortest: The Great Gatsby [1925].

Freshly anointed as the Demon Duster, destined to protect the world from demons, Cass tries to look at the bright side. Sure, she has to kill demons (ew!), but her super-powered metabolism means she can eat all the donuts she wants. Plus, for the first time in forever, her hoo-hah is happy (gorgeous demon – they’re not all evil). But it’s hard to stay positive when you discover a website offering a reward for your death. The demon queen is ticked because her sex slave faery (not that kind of faery) has escaped and offered his “services” to Cass in exchange for sanctuary. How can Cass turn away a man in need… especially one with a godlike body and seriously magical fingers? Suddenly, her already complicated life is a lot more complicated, with not one, not two, but three hot guys who are hot for her… and a demon queen planning an all-out attack. This is soooo not the life Cass signed up for!

What’s the difference between a friend and a fiend? Jake is so embarrassed by a reading circle blunder, he vows never to speak in class again. Abigail believes she can no longer trust one of her best friends. Their teenage cousins have turned into fiends. And on the perfect snow day, who jumps on Jake and washes his face in snow? And who rescues him?

NEW YORK TIMES BESTSELLER A renowned authority on the secret world of opium recounts his descent into ruinous obsession with one of the world’s oldest and most seductive drugs, in this harrowing memoir of addiction and recovery. A natural-born collector with a nose for exotic adventure, San Diego–born Steven Martin followed his bliss to Southeast Asia, where he found work as a freelance journalist. While researching an article about the vanishing culture of opium smoking, he was inspired to begin collecting rare nineteenth-century opium-smoking equipment. Over time, he amassed a valuable assortment of exquisite pipes, antique lamps, and other opium-related accessories—and began putting it all to use by smoking an extremely potent form of the drug called chandu. But what started out as recreational use grew into a thirty-pipe-a-day habit that consumed Martin’s every waking hour, left him incapable of work, and exacted a frightful physical and financial toll. In passages that will send a chill up the spine of anyone who has ever lived in the shadow of substance abuse, Martin chronicles his efforts to control and then conquer his addiction—from quitting cold turkey to taking “the cure” at a Buddhist monastery in the Thai countryside. At once a powerful personal story and a fascinating historical survey, Opium Fiend brims with anecdotes and lore surrounding the drug that some have called the methamphetamine of the nineteenth-century. It recalls the heyday of opium smoking in the United States and Europe and takes us inside the befogged opium dens of China, Thailand, Vietnam, and Laos. The drug’s beguiling effects are described in vivid detail—as are the excruciating pains of withdrawal—and there are intoxicating tales of pipes shared with an eclectic collection of opium aficionados, from Dutch dilettantes to hard-core addicts to world-weary foreign correspondents. A compelling tale of one man’s transformation from respected scholar to hapless drug slave, Opium Fiend puts us under opium’s spell alongside its protagonist, allowing contemporary readers to experience anew the insidious allure of a diabolical vice that the world has all but forgotten.

The Tapestry series continues to weave threads of fantasy, mythology, science fiction, and mystery into a wholly original adventure that appeals to fans of everything from Harry Potter to Lord of the Rings to The X-Men. Genre-blending and fully illustrated, The Tapestry novels have caught the attention of middle-grade and young adult readers alike—and the series is only getting bigger. Book One, The Hound of Rowan, was a boarding-school fantasy that School Library Journal called “a solid and worthwhile beginning . . . [that] should help ease the suffering once Harry Potter withdrawal sets in.” Book Two, The Second Siege, was an epic quest about which Kirkus Reviews said, “After devouring this title, young fans will clamor for more.” Book Three, The Fiend and the Forge, is an unforgettable dystopian adventure across a landscape overrun with goblins and trolls. The world has changed almost beyond recognition, for with the Book of Origins firmly in his possession, the villainous Astaroth now has the power to reshape history at will. Plucking pivotal discoveries from mankind’s past, he has reduced the world to a preindustrial nightmare. But while most humans toil as slaves within four demonic kingdoms, Astaroth allows those at Rowan to thrive in peaceful isolation. Theirs is a land where magic and nature flourish . . . so long as none dare oppose the new order. That proves too steep a price for Max McDaniels. Unsure of his place at Rowan, Max sets out to explore the shifting landscape of the world beyond. In the course of his travels, he will become many things: Prisoner. Gladiator. Assassin. But can he become the hero that mankind so desperately needs? In the third book of The Tapestry, author–illustrator Henry H. Neff takes the series in an exciting new direction, creating a fascinating dystopia in which myth, history, and monsters collide. Visit www.rowanacademy.com for original content, exclusive artwork, and more!