Imagine suffering a traumatic brain injury. Imagine being in a mental ward when your lover deserts you. Imagine relinquishing the successful business you cultivated from the ground up. Imagine being told to vacate your home of over ten years. Imagine watching, dumbfounded, as friends take flight from your life. Imagine being stripped of your sense of purpose, your identity. Worst of all, imagine losing your mind. Skyler Raye doesn’t have to imagine these things, as she has lived them. But that was just the beginning of her nightmare. Mini-vacations in inpatient mental hospitals followed, coupled with way too many prescription drugs. Storm after storm slammed into Skyler’s life; her struggle to stay afloat seemed hopeless, particularly to her. Through it all, Skyler religiously expelled her turbulence into dozens of journals and “art therapy” projects. A compilation of these journals, “Facing Face” is her map out of hell. It takes you along her journey through and out of the darkness, and offers hope to those out there hurting for whatever reason. Skyler details how she was able to grasp onto that one pinhole of light, and learned it is not so much what happens to you, but how you react to it. A sense of humor also helps.

An arrangement of hyperplanes of Euclidean or projective d-space is a finite set of hyperplanes, together with the induced partition of the space. Given the hyperplanes of an arrangement, how can the faces of the induced partition be counted? Heretofore this question has been answered for the plane, Euclidean 3-space, hyperplanes in general position, and the d-faces of the hyperplanes through the origin in Euclidean space. In each case the numbers of k-faces depend only on the incidences between intersections of the hyperplane, even though arrangements with the same intersection incidence pattern are not in general combinatorially isomorphic. We generalize this fact by demonstrating formulas for the numbers of k-faces of all Euclidean and projective arrangements, and the numbers of bounded k-faces of the former, as functions of the (semi)lattice of intersections of the hyperplanes, not dependent on the arrangement's combinatorial type.

A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.

Here is an essential guide that is head and shoulders above the rest! In The Head, expert Andrew Loomis teaches you the basics of drawing the human head, including detailed drawings of a variety of male and female models in different poses. First he covers the basic proportions of the head and the proper placement of facial features. Then he shows you how to render light and shadow, as well as exploring simple techniques for capturing an array of facial expressions and depicting differences in type and character. This comprehensive guide is a welcome addition to any artistÆs drawing reference library!

This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. It asks how we may best ‘face up’ to work that has been done already in these fields, and speculates about work that might yet be done, especially by medievalists working across medieval and postmedieval sources. In the idiom ‘facing up,’ its editors evoke the impulse to assess and realize the place of medieval studies in the burgeoning field of emotions research. Conceptually, psychologically, and artistically, the face is perceived as being at the forefront of many human interactions and emotional practices – as such, the face is not only a powerful conceptual site for theorizing human relationships, past and present, or a site for the representation of emotion: it is itself a catalyst for feeling. As such, the contributions gathered here provide a cutting-edge reflection on the history of medieval emotions.

The groundbreaking, "eerily prophetic, almost haunting" work on American racism and the struggle for racial justice (Michelle Alexander, author of The New Jim Crow). In Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example—including the classic story "The Space Traders"—to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail, he writes, so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. Now with a new foreword by Michelle Alexander, author of The New Jim Crow, this classic book was a pioneering contribution to critical race theory scholarship, and it remains urgent and essential reading on the problem of racism in America.

Exploring how the face and body of the America were imagined both physically and metaphorically during the Civil War, this book shows how visual iconography affected changes in postbellum gendered and racialized identifications of the nation.