The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco. The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco.

All manner of visual representation appear in this book: painting, sculpture, graphic art, photography, landscape architecture, earthwork, conceptual art, and city planning and architectural design. Over two hundred works of art are discussed, and many well known artists and designers are represented, from Bernard Maybeck, Diego Rivera, Dorothea Lange, and Ansel Adams to Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo.

Written by an interdisciplinary team of scholars, this substantial volume offers a wide-ranging examination, from a Christian perspective, of the many complexities surrounding gender relations, showing how they have changed and how they still need to change if we are to be the men and women God meant us to be. No other book treats the systemic embedding of gender issues in all areas of life.

Noisy popular liberal interventionism? Or a more conservative, diplomatic approach concentrating on co-operation between nations? This is the debate that lies at the heart of modern politics and Hurd traces its most interesting and influential exponents. He starts with Canning and Castelreagh in post Waterloo Britain; to a generation later, the victory of the interventionist Palmerston over Aberdeen; then to Salisbury (Imperialism) and Grey (European balance of power); and finally to Eden and Bevin who combined to lay the foundations of a post-war compromise. That delicate balance has served its purpose for over half a century, but as we enter a new era of terrorism and racial conflict, the old questions and divisions are re-surfacing . . .

JACOBS: For the last three years, I've lived and breathed hockey with one goal: team captain. There's only one thing standing in my way.TJ Beckett. Beck is irresponsible and immature, and I've hated him since the moment we met freshman year. Yet, the coaches see something in him I obviously can't, and they refuse to choose between us. The captain spot is going to a team vote. And the team thinks that what we need are a bunch of challenges to prove our worth. Challenges that have nothing to do with hockey. Challenges that are throwing me and Beck together. And he's still as infuriating as ever. BECK: I have no idea why Christopher Jacobs hates me, and I can't say I care. I like pushing his buttons, but the guy needs to loosen up. I'm going to win these stupid challenges easily and spend my senior year as hockey king on this campus. Tormenting Jacobs at the same time will just be a bonus. Even if I'm getting confusing feelings toward him, I won't let it hold me back. When it comes to competing, I'm all in, and nothing will get between me and the W.

This book provides a complete history of the Conservative party from 1935 to 1940 and explores its responses to the problems of fascism.