" 40% des voyages d'agrément et 2/3 des voyages d'affaires effectués en France se réalisent aujourd'hui en ville. Profitant de la croissance des flux internationaux, notamment en provenance des BRICS, et du développement accéléré des courts séjours, le tourisme en ville constitue donc un enjeu économique majeur. Dans un contexte international toujours plus concurrentiel, la prise en compte des mobilités touristiques apparaît comme une composante essentielle de la qualité d'expérience proposée aux visiteurs et l'un des leviers structurants pourstimuler la mise en œuvre d'un développement durable. Réalisé en collaboration avec la DATAR et avec l'éclairage du CERTU, ce guide constitue un outil d'aide à la décision des élus et des techniciens, permettant le déploiement d'actions en faveur d'une mobilité touristique durable créatrice de valeur pour les visiteurs, les acteurs du transport et les responsables des destinations touristiques." Résumé éditorial

This book analyses the complex interplay between livelihood practices in northern Burkina Faso and diverse processes of geographic mobility, among which massive migration by Moose to the south and west of the country and to the Ivory Coast. Supported by extensive ethnographic data it is demonstrated how the flexibility of land tenure arrangements allows for and is fuelled by actors geographic mobility, how the meaning of migration and the way it is embedded in social organization changed over the last century, and how differential accumulation of cattle by migrants strains relations among Moose farmers and complicates the latter relations with Fulbe herdsmen.

Until recently, the marquise Du Châtelet (1706-1749) was more remembered as the companion of Voltaire than as an intellectual in her own right. While much has been written about his extraordinary output during the years he spent in her company, her own work has often been overshadowed. This volume brings renewed attention to Du Châtelet's intellectual achievements, including her free translation of selections from Bernard Mandeville's Fable of the bees; her dissertation on the nature and propagation of fire for the 1738 prize competition of the Académie des sciences; the 1740 Institutions de physique and ensuing exchange with the perpetual secretary of the Académie, Dortous de Mairan; her two-volume exegesis of the Bible; the translation of and commentary on Isaac Newton's Principia; and her semi-autobiographical Discours sur le bonheur. It is a measure of the breadth of her interests that the contributions to this volume come from experts in a wide range of disciplines: comparative literature, art history, the history of mathematics and science, philosophy, the history of publishing and translation studies. Du Châtelet's partnership with Voltaire is reflected in a number of the essays; they borrowed from each other's writings, from the discussions they had together, and from their shared readings. Essays examine representations of her by her contemporaries and posterity that range from her inclusion in a German portrait gallery of learned men and women, to the scathing portrait in Françoise de Graffigny's correspondence, and nineteenth-century accounts coloured by conflicted views of the ancien régime. Other essays offer close readings of her work, and set her activities and writings in their intellectual and social contexts. Finally, they speculate on the ways in which she presented herself and what that might tell us about the challenges and possibilities facing an exceptional woman of rank and privilege in eighteenth-century society.

From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR