As one of the main players in the second wave of feminism, Sheila Tobias returns to Kate Millets central tenet, sexual politics, and argues that it can still unite progressive men and women around a common set of goals. Providing a map of a complex terrain, Tobias details generations of issues, each more radical and therefore harder to tackle than the ones before. She sets the story in two contexts: feminisms own evolving strategies and Americas political landscape. Even though her passion for feminism remains, she is not unwilling to critique the sisterhood and herself for failing to see, for example, that not every woman would be a feminist nor every man an enemy. In the heady first years, feminists forgot that deeper even than gender is the liberal/conservative divide in American politics. }As one of the main players in the second wave of feminism, Sheila Tobias returns to Kate Millets central tenet, sexual politics, and argues that it can still unite progressive men and women around a common set of goals. Providing a map of a complex terrain, Tobias details generations of issues, each more radical and therefore harder to tackle than the ones before. She sets the story in two contexts: feminisms own evolving strategies and Americas political landscape. Even though her passion for feminism remains, she is not unwilling to critique the sisterhood and herself for failing to see, for example, that not every woman would be a feminist nor every man an enemy. In the heady first years, feminists forgot that deeper even than gender is the liberal/conservative divide in American politics.From the origins of the movement through feminist theory and new scholarship on women, Tobias traces the political history of the second wave and its comeuppance at the hands of Phyllis Schaflys StopERAcoincidental with the nations careering toward the Right. Somehow, feminism survived the 1980s, but by having to fight brush fires throughout the Reagan-Bush presidencies, the movement lost some of its breadth and much of its taste for the mainstream. Because of her activism and her feeling for the period she chronicles, Tobias is at once inside and outside the issues of sexual preference, pornography, the draft, the Mommy Track, comparable worth, affirmative action, reproductive rights, and the challenges of equality versus difference. }

A sensation upon its publication in 1970, Sexual Politics documents the subjugation of women in great literature and art. Kate Millett's analysis targets four revered authors—D. H. Lawrence, Henry Miller, Norman Mailer, and Jean Genet—and builds a damning profile of literature's patriarchal myths and their extension into psychology, philosophy, and politics. Her eloquence and popular examples taught a generation to recognize inequities masquerading as nature and proved the value of feminist critique in all facets of life. This new edition features the scholar Catharine A. MacKinnon and the New Yorker correspondent Rebecca Mead on the importance of Millett's work to challenging the complacency that sidelines feminism.

Written by a Catholic journalist who has investigated feminism on its own ground, this remarkable book fully exposes the hidden face of Catholic feminism for the first time, revealing its theoretical and psychological roots in loss of faith. A definitive account of a movement impelled by vengeful rage to revolt against all spiritual authority.

A NEW YORK TIMES BESTSELLER “The fights against hunger, homelessness, poverty, health disparities, poor schools, homophobia, transphobia, and domestic violence are feminist fights. Kendall offers a feminism rooted in the livelihood of everyday women.” —Ibram X. Kendi, #1 New York Times-bestselling author of How to Be an Antiracist, in The Atlantic “One of the most important books of the current moment.”—Time “A rousing call to action... It should be required reading for everyone.”—Gabrielle Union, author of We’re Going to Need More Wine A potent and electrifying critique of today’s feminist movement announcing a fresh new voice in black feminism Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others? In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel. Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is “hard of hearing” but “full of life.”

The Feminism of Uncertainty brings together Ann Snitow’s passionate, provocative dispatches from forty years on the front lines of feminist activism and thought. In such celebrated pieces as "A Gender Diary"—which confronts feminism’s need to embrace, while dismantling, the category of "woman"—Snitow is a virtuoso of paradox. Freely mixing genres in vibrant prose, she considers Angela Carter, Doris Lessing, and Dorothy Dinnerstein and offers self-reflexive accounts of her own organizing, writing, and teaching. Her pieces on international activism, sexuality, motherhood, and the waywardness of political memory all engage feminism’s impossible contradictions—and its utopian hopes.