F. Scott Fitzgerald's Screenplay for Three Comrades by Erich Maria Remarque
Title | F. Scott Fitzgerald's Screenplay for Three Comrades by Erich Maria Remarque PDF eBook |
Author | Francis Scott Fitzgerald |
Publisher | |
Pages | 163 |
Release | 1978 |
Genre | |
ISBN |
F. Scott Fitzgerald's Screenplay for Three Comrades by Erich Maria Remarque
Title | F. Scott Fitzgerald's Screenplay for Three Comrades by Erich Maria Remarque PDF eBook |
Author | Francis Scott Fitzgerald |
Publisher | |
Pages | 340 |
Release | 1978 |
Genre | Drama |
ISBN |
Much of the magic surrounding his legendary name had vanished by the time F. Scott Fitzgerald--forty-one years old, deeply in debt, full of remorse that "I had been only a mediocre caretaker of most things left in my hands, even of mytalent"--mounted a third assault on the money of Hollywood and, by writing this adaptation of Remarque's Three Comrades, proved that the writer, if not the man, had survived the famed "crack-up." The screenplay for Three Comrades, starring Robert Young, Margaret Sullavan, Franchot Tone, and Robert Taylor, ultimately was the result of the collaboration of E. E. Paramore and producer Joseph Mankiewicz, though Fitzgerald fought to salvage as much of his original script as possible. By his own reckoning, only about a third of the final script was his, and "all shadows and rhythm removed." The script published here is the one Fitzgerald tried desperately to save. Neither Mankiewicz nor Paramore has written a line. This script is, of course, valuable to those who would know the complete Fitzgerald. It also proves fascinating as a study of adaptation, showing which scenes Fitzgerald chose to dramatize to catch the essence of the Remarque story as well as showing how he made visual what the novelist could placein theheads of his readers. Series editor Matthew J. Bruccoli provides the background in an illuminating Afterword and in an appendix containing eight scenes that resulted from the collaboration of Mankiewicz, Paramore, and Fitzgerald.
The Cambridge Companion to F. Scott Fitzgerald
Title | The Cambridge Companion to F. Scott Fitzgerald PDF eBook |
Author | Ruth Prigozy |
Publisher | Cambridge University Press |
Pages | 300 |
Release | 2002 |
Genre | Biography & Autobiography |
ISBN | 9780521624749 |
Publisher Description (unedited publisher data) Eleven specially-commissioned essays by major Fitzgerald scholars present a clearly written and comprehensive assessment of F. Scott Fitzgerald as a writer and as a public and private figure. No aspect of his career is overlooked, from his first novel published in 1920, through his more than 170 short stories, to his last unfinished Hollywood novel. Contributions present the reader with a full and accessible picture of the background of American social and cultural change in the early decades of the twentieth century. The introduction traces Fitzgerald's career as a literary and public figure, and examines the extent to which public recognition has affected his reputation among scholars, critics, and general readers over the past sixty years. This is the only volume that offers undergraduates, graduates and general readers a full account of Fitzgerald's work as well as suggestions for further exploration of his work. Library of Congress subject headings for this publication: Fitzgerald, F, Scott (Francis Scott), 1896-1940 Criticism and interpretation Handbooks, manuals, etc.
The Collaboration
Title | The Collaboration PDF eBook |
Author | Ben Urwand |
Publisher | Harvard University Press |
Pages | 309 |
Release | 2013-09-10 |
Genre | History |
ISBN | 0674728351 |
To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time—a "collaboration" (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer. At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front, which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios—many of which were headed by Jews—began dealing with his representatives directly. Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood—and American—history.
F. Scott Fitzgerald's Screenplay for Three Comrades by Erich Maria Remarque
Title | F. Scott Fitzgerald's Screenplay for Three Comrades by Erich Maria Remarque PDF eBook |
Author | Francis Scott Fitzgerald |
Publisher | |
Pages | 0 |
Release | 1978 |
Genre | World War, 1914-1918 |
ISBN | 9780445044104 |
Critical Companion to F. Scott Fitzgerald
Title | Critical Companion to F. Scott Fitzgerald PDF eBook |
Author | Mary Jo Tate |
Publisher | Infobase Publishing |
Pages | 481 |
Release | 2007 |
Genre | Authors, American |
ISBN | 1438108451 |
The Great Gatsby and its criticism of American society during the 1920s, F. Scott Fitzgerald claimed the distinction of writing what many consider to be the "great American novel." Critical Companion to F.
F. Scott Fitzgerald in Context
Title | F. Scott Fitzgerald in Context PDF eBook |
Author | Bryant Mangum |
Publisher | Cambridge University Press |
Pages | 515 |
Release | 2013-03-18 |
Genre | Literary Criticism |
ISBN | 1139619438 |
The fiction of F. Scott Fitzgerald serves as a compelling and incisive chronicle of the Jazz Age and Depression Era. This collection explores the degree to which Fitzgerald was in tune with, and keenly observant of, the social, historical and cultural contexts of the 1920s and 1930s. Original essays from forty international scholars survey a wide range of critical and biographical scholarship published on Fitzgerald, examining how it has evolved in relation to critical and cultural trends. The essays also reveal the micro-contexts that have particular relevance for Fitzgerald's work - from the literary traditions of naturalism, realism and high modernism to the emergence of youth culture and prohibition, early twentieth-century fashion, architecture and design, and Hollywood - underscoring the full extent to which Fitzgerald internalized the world around him.