Take a journey with me to the past in my life. I was abused, molested, raped, bullied and even experienced domestic violence in my gay marriage. I am not just the voice behind the book. It actually happened to me.

Why has the mask been such an enduring generic motif in horror cinema? This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and mythmaking capacities, and its intersection with power, ideology and identity. All of these factors have a direct impact on mask-centric horror cinema: meanings, values and rituals associated with masks evolve and are updated in horror cinema to reflect new contexts, rendering the mask a persistent, meaningful and dynamic aspect of the genre’s iconography. This study debates horror cinema’s durability as a site for the potency of the mask’s broader symbolic power to be constantly re-explored, re-imagined and re-invented as an object of cross-cultural and ritual significance that existed long before the moving image culture of cinema.

When her sorority sisters are engaged in sex, drugs, and rock and roll, the unnamed narrator finds her true calling in life when she kills her first victim. She doesn't have a neon sign stating, "Warning, Serial Killer," following her around. She delights in the realization that her role separates her from the people around her. A chameleon by nature, she exploits her ethic and sexual ambiguity to hide in plain sight. She kills up close and personal, because she wants her victims to know they are about to die. And she remains active for nearly three decades.

Collects Spider-Man Noir #1-4. It was 1933 and the Great Depression was just getting started. And so was the corrupt mob boss the Goblin. When embittered, angry Peter Parker meets a spider and its life-changing bite, he may have just inherited the force to honor the phrase, "If those in power can't be trusted, it's the responsibility of the people to remove them."

A compilation of selected review essays from Erickson's DVD Savant internet column.

Peter Parker has a lot to be hopeful about. The Spider-Man is the beloved town hero; President Franklin D. Roosevelt is in the White House; the spiraling economy is on its first steps toward recovery; and with Norman Osborn out of the picture, organized crime in New York has lost its major player. But all is not well in 1934 America ... dark forces are at play in the world, and a power vacuum in New York crime is quickly - and violently - being filled! Now Spider-Man must contend with a vicious new breed of killers, criminals, and maniacal death-dealers, reimagined from some of the greatest and deadliest foes of the Spider-Man.

A Rolling Stone Top 10 Best Music Books of the Year “That’s what I’m talking about…Of all these memoirs, Dancing With Myself was the only one that stimulated my envy—made me want to be Billy Idol for five minutes….He’s a genuine romantic, writing in a kind of overheated journalese about his London punk rock roots…and then falling head over heels for America.” —James Parker, The New York Times Book Review In this highly original memoir—following Billy Idol from his childhood in England to his rise to fame at the height of the punk-pop revolution—the iconic superstar tells the real story behind the sex, drugs, and rock 'n' roll that he is so fabulously famous for, in his own utterly indelible voice. An early architect of punk rock’s sound, style, and fury, whose lip-curling sneer and fist-pumping persona vaulted him into pop’s mainstream as one of MTV’s first megastars, Billy Idol remains, to this day, a true rock ‘n’ roll icon. Now, in his New York Times bestselling autobiography, Dancing with Myself, Idol delivers an electric, “refreshingly honest” (Daily News, New York) account of his journey to fame—from his early days as front man of the pioneering UK punk band Generation X to the decadent life atop the dance-rock kingdom he ruled—delivered with the same in-your-face attitude and fire his fans have embraced for decades. Beyond adding his uniquely qualified perspective to the story of the evolution of rock, Idol is a brash, lively chronicler of his own career. A survivor’s tale at its heart, this sometimes chilling and always riveting account of one man’s creative drive joining forces with unbridled human desire is unmistakably literary in its character and brave in its sheer willingness to tell. With it, Billy Idol is destined to emerge as one of the great writers among his musical peers. “I am hopelessly divided between the dark and the good, the rebel and the saint, the sex maniac and the monk, the poet and the priest, the demagogue and the populist. Pen to paper, I’ve put it all down, every bit from the heart. I’m going on out a limb here, so watch my back.” —Billy Idol