What is AI? A dominant view describes it as the quest "to solve intelligence" - a solution supposedly to be found in the secret logic of the mind or in the deep physiology of the brain, such as in its complex neural networks. The Eye of the Master argues, to the contrary, that the inner code of AI is shaped not by the imitation of biological intelligence, but the intelligence of labour and social relations, as it is found in Babbage's "calculating engines" of the industrial age as well as in the recent algorithms for image recognition and surveillance. The idea that AI may one day become autonomous (or "sentient", as someone thought of Google's LaMDA) is pure fantasy. Computer algorithms have always imitated the form of social relations and the organisation of labour in their own inner structure and their purpose remains blind automation. The Eye of the Master urges a new literacy on AI for scientists, journalists and new generations of activists, who should recognise that the "mystery" of AI is just the automation of labour at the highest degree, not intelligence per se.

The human left the human and the ghost left the ghost. No matter if it's a person or a ghost, if you take the wrong path, I, Li Xiangyang, will come and take you in. After a class reunion, Li Xiangyang's business was in full swing. All sorts of demons and monsters, come to my bowl!

The evil wizard Maldred has stolen the gold and silver keys which will allow him to release the Naga, the powerful earthquake dragon at the center of the earth--so Drake and several of the other Dragon Masters travel to the Naga's Temple in the Dragon Islands, to try and stop Maldred, and prevent him and the earthquake dragon from destroying the kingdom.

The complete English translation of one of the great Zen classics and works of Japanese literature, by the founder of the Soto school—now in a single volume Treasury of the True Dharma Eye (Shobo Genzo, in Japanese) is a monumental work, considered to be one of the profoundest expressions of Zen wisdom ever put on paper, and also the most outstanding literary and philosophical work of Japan. It is a collection of essays by Eihei Dogen (1200–1253), founder of Zen’s Soto school. Kazuaki Tanahashi and a team of translators that represent a Who’s Who of American Zen have produced a translation of the great work that combines accuracy with a deep understanding of Dogen’s voice and literary gifts. This eBook includes a wealth of materials to aid understanding, including maps, lineage charts, a bibliography, and an exhaustive glossary of names and terms—and, as a bonus, the most renowned of all Dogen’s essays, “Recommending Zazen to All People.”

A perilous journey through the dark underworld of Hong Kong, the deadly fanaticism of Tehran streets, and the highlands of China becomes a nightmarish test of will, courage, and strength for Daremo, the Ninja Master

The Master of the Universe is one. We all have to bow down to him. However, he has left various Eye's around the world, who looks after us. In terms of need, we always call upon that one master, the spiritual being and pray for the solution of our problems. But it is the Eye's, who make sure we don't suffer a lot. Spirituality is a belief that one follows. And 20+ Co-authors have very beautifully written their content, showing what spirituality is to them. Compiled by Ishani Agarwal and Ekta Mishra, this book is full of surprises.

NATIONAL BESTSELLER • From the acclaimed Nobel Prize winner—a powerful examination of our obsession with beauty and conformity that asks questions about race, class, and gender with characteristic subtly and grace. In Morrison’s acclaimed first novel, Pecola Breedlove—an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others—prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment. Here, Morrison’s writing is “so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry” (The New York Times).