A compelling account of the early period of expeditionary archaeology and photography told through the words and works of six pioneers Exposing the Maya focuses on the works of Désiré Charnay, Alice and Augustus Le Plongeon, Teobert Maler, Alfred Maudslay and Adela Breton, all of whom were masters of their craft and travelled extensively to sites in Mexico and Central America. The over 100 selected images in this volume, together with nearly 40 additional contextual images featuring sketches from travel journals, hand-colored drawings, prints, and maps, are combined with the photographers' own words found in their published writings, journals and letters to provide insight into their methods, context for their images, and to capture the realities of field work in Mesoamerica. Accessible and highly illustrated, Exposing the Maya is a wonderful account of this period of expeditionary photography, an age that witnessed the evolution of photographic techniques and brought to life the long-faded murals and decoration of these ruins. This is a compelling story of incredible journeys, and the challenging conditions under which these pioneering photographers produced their images, and how they perceived the remnants of these ancient indigenous cultures in modern-day Mexico, Guatemala, and Honduras.

The Terminal Classic in the Maya Lowlands revisits one of the great problems in Mayan archaeology - the apparent collapse of Classic Maya civilization from roughly A.D. 830 to 950. During this period the Maya abandoned their power centers in the southern lowlands and rather abruptly ceased the distinctive cultural practices that marked their apogee in the Classic period. Archaeological fieldwork during the past three decades, however, has uncovered enormous regional variability in the ways the Maya experienced the shift from Classic to Postclassic society, revealing a period of cultural change more complex than acknowledged by traditional models. Featuring an impressive roster of scholars, The Terminal Classic presents the most recent data and interpretations pertaining to this perplexing period of cultural transformation in the Maya lowlands. Although the research reveals clear interregional patterns, the contributors resist a single overarching explanation. Rather, this volume's diverse and nuanced interpretations provide a new, more properly grounded beginning for continued debate on the nature of lowland Terminal Classic Maya civilization.

Presents "Exposing the Maya," an article written by Ian Graham that originally appeared in the September/October 1990 issue of "Archaeology," and provided online as part of the Columbus and the Age of Discovery Web site of Millersville University. Describes the archaeology work of Austrian photographer and adventurer Teobert Maler (d. 1917) in Mexico and Guatemala.

The recent interpretation of Maya hieroglyphs has given us the first written history of the New World as it existed before the European invasion. Now, two central figures in the massive effort to decode the glyphs, Linda Schele and David Freidel, make this history available for the first time in all its detail. A Forest of Kings is the story of Maya kingship, from the beginning of its institution and the first great pyramid builders two thousand years ago to the decline of Maya civilization and its destruction by the Spanish. Here the great historic rulers of Precolumbian civilization come to life again with the decipherment of the writing. At its height, Maya civilization flourished under great kings like Shield-Jaguar, who ruled for over sixty years, expanding his kingdom and building some of the most impressive works of architecture in the ancient world. Long placed on a mist-shrouded pedestal as austere, peaceful stargazers, the Maya elites are now known to have been the rulers or populous, aggressive city-states. Hailed as "a Rosetta Stone of Maya civilization" (Brian M. Fagan, author of People of the Earth), A Forest of Kings is "a must for interested readers," says Evon Vogt, professor of anthropology at Harvard University.

The flood of archaeological work in Maya lands has revolutionized our understanding of gender in ancient Maya society. The dozen contributors to this volume use a wide range of methodological strategies--archaeology, bioarchaeology, iconography, ethnohistory, epigraphy, ethnography--to tease out the details of the lives, actions, and identities of women of Mesoamerica. The chapters, most based upon recent fieldwork in Central America, examine the role of women in Maya society, their place in the political hierarchy and lineage structures, the gendered division of labor, and the discrepancy between idealized Mayan womanhood and the daily reality, among other topics. In each case, the complexities and nuances of gender relations is highlighted and the limitations of our knowledge acknowledged. These pieces represent an important advance in the understanding of Maya socioeconomic, political, and cultural life--and the archaeology of gender--and will be of great interest to scholars and students.

Professor Van Weathers has just revolutionized the teaching of Maya archaeology. His lifelike computer simulation Xibalb Gate places his students in the world of the Late Classic Maya, where political strife, overpopulation, warfare, and social disorganization are in evidence in the soon-to-collapse civilization. Weathers' real life is also under strain-- his wife is disenchanted, his son a cynic, his students disinterested, his excavation project blocked by a mysterious Latin American holding company. No wonder he loses himself in the world of King Knot Eye of Xultunich for days on end. But the real world problems magnify-a murder, an illness, an explosion-- while he tries to negotiate a treaty with a neighboring city, marry the king's daughter, and engage in a bloodletting ceremony to right a world out of balance. Can he solve the rapidly-merging problems of his virtual world and the modern one while the Nine Lords of Xibalb , rulers of the Maya underworld, are on the loose? This novel/textbook by noted writer and futurist Rob Swigart offers both an accurate reconstruction of Maya life for introductory archaeology students and an entertaining read for those interested in the Maya world.