Romania has a larger Gypsy population than most other countries but little is known about the relationship between this group and the non-Gypsy Romanians around them. This book focuses on a group of Rom Gypsies living in a village in Transylvania and explores their social life and cosmology. Because Rom Gypsies are dependent on and define themselves in relation to the surrounding non-Gypsy populations, it is important to understand their day-to-day interactions with these neighbors, primarily peasants to whom they relate through extended barter. The author comes to the conclusion that, although economically and politically marginal, Rom Gypsies are central to Romanian collective identity in that they offer desirable and repulsive counter images, incorporating the uncivilized, immoral and destructive "other". This interdependence creates tensions but it also allows for some degree of cultural and political autonomy for the Roma within Romanian society.

Romania has a larger Gypsy population than most other countries but little is known about the relationship between this group and the non-Gypsy Romanians around them. This book focuses on a group of Rom Gypsies living in a village in Transylvania and explores their social life and cosmology. Because Rom Gypsies are dependent on and define themselves in relation to the surrounding non-Gypsy populations, it is important to understand their day-to-day interactions with these neighbors, primarily peasants to whom they relate through extended barter. The author comes to the conclusion that, although economically and politically marginal, Rom Gypsies are central to Romanian collective identity in that they offer desirable and repulsive counter images, incorporating the uncivilized, immoral and destructive "other". This interdependence creates tensions but it also allows for some degree of cultural and political autonomy for the Roma within Romanian society.

The figure of Carmen has emerged as a cipher for the unfettered female artist. Dance historian and performance theorist Ninotchka Bennahum shows us Carmen as embodied historical archive, a figure through which we come to understand the promises and dangers of nomadic, transnational identity, and the immanence of performance as an expanded historical methodology. Bennahum traces the genealogy of the female Gypsy presence in her iconic operatic role from her genesis in the ancient Mediterranean world, her emergence as flamenco artist in the architectural spaces of Islamic Spain, her persistent manifestation in Picasso, and her contemporary relevance on stage. This many-layered geography of the Gypsy dancer provides the book with its unique nonlinear form that opens new pathways to reading performance and writing history. Includes rare archival photographs of Gypsy artists.

Economic arrangements of Romanies are complexly related to their social position. The authors of this volume explore these complexities, including how economic exchanges forge key social relationships of gender and ethnicity, how economic opportunities are constructed and seized, and how economic success and failure are transformed into attributes of social persons. They explore how, despite — or perhaps because of — their unstable and ambiguous position within the market economy, shared today with a growing number of people facing precarity and informalisation, Roma and Gypsy communities continuously re-create more or less viable economic strategies. The ethnographically based chapters share accounts of socially and economically vulnerable populations that face their situation with self-determination and creativity.

Who are the Romani people? -- Romani society -- Customs and traditions -- The Romani language -- The Roms among the nations -- Between romanticism and racism -- A modern Romani identity -- Appendix: The mosaic of Romani groups.

BONUS: This edition contains an excerpt from Terry Brooks's The Measure of the Magic. Terry Brooks won instant acclaim with his phenomenal New York Times bestseller The Sword of Shannara. Its sequels earned Brooks legendary status. Then his darkly enthralling The Word and the Void trilogy revealed new depths and vistas to his mastery of epic fantasy. Armageddon’s Children and The Elves of Cintra took Brooks’s remarkable mythos to a breathtaking new level by delving deep into the history of Shannara. And now, The Gypsy Morph rounds out–with an adventure of unforgettably imaginative scope–the first phase of a new chapter in this classic series. Eighty years into the future, the United States is a no-man’s-land: its landscape blighted by chemical warfare, pollution, and plague; its government collapsed; its citizens adrift, desperate, fighting to stay alive. In fortified compounds, survivors hold the line against wandering predators, rogue militias, and hideous mutations spawned from the toxic environment, while against them all stands an enemy neither mortal nor merciful: demons and their minions bent on slaughtering and subjugating the last of humankind. But from around the country, allies of good unite to challenge the rampaging evil. Logan Tom, wielding the magic staff of a Knight of the Word, has a promise to keep–protecting the world’ s only hope of salvation–and a score to settle with the demon that massacred his family. Angel Perez, Logan’s fellow Knight, has risked her life to aid the elvish race, whose peaceful, hidden realm is marked for extermination by the forces of the Void. Kirisin Belloruus, a young elf entrusted with an ancient magic, must deliver his entire civilization from a monstrous army. And Hawk, the rootless boy who is nothing less than destiny’s instrument, must lead the last of humanity to a latter-day promised land before the final darkness falls. The Gypsy Morph is an epic saga of a world in flux as the mortal realm yields to a magical one; as the champions of the Word and the Void clash for the last time to decide what will be and what must cease; and as, from the remnants of a doomed age, something altogether extraordinary rises.

The vast territory from Asia to Eastern Europe that was part of or under the influence of the Soviet Union comprised cities, which have undergone profound changes in the last twenty years. The opening of borders combined with the affirmation of market dynamics, privatization and concentration of wealth, and the emergence of nationalist discourses have upset ways of life and value systems leaving deep marks on the urban landscape and organization of living space. These essays take an in-depth look at specific cases – Samarkand, Sarajevo, Berlin, Almaty, and others – to offer a complex picture of the transformations affecting the post-communist city.