A wasp lays its eggs under a caterpillar's skin so that its young can eat the caterpillar's guts as they grow. A young head louse makes its home on a human hair and feasts on human blood. Frogs use their eyeballs to help swallow their food. From small worms that live in a dog's nose mucus to exploding ants to regurgitating mother gulls, this book tells of the unusual ways animals find food, shelter, and safety in the natural world. If animals all ate the same things and lived in the same places, it would be impossible for all of them to survive. So they specialize. Some animals eat the bits that others leave behind, such as skin and mucus. They find all kinds of unusual places to shelter, including the cracks and holes in another creature's skin or its internal organs. They use their own bodies to protect themselves from predators by imitating unsavory items such as bird droppings and even by blowing up. These habits that may seem disgusting to us are wonderful adaptations that make it possible for a great variety of creatures to live and thrive on Earth. Read about them and marvel at the amazing ways animals adapt to the natural world.

What do animals do when they're under attack? Some run. Some hide. But did you know that some animals defend themselves from predators by fighting back? The animals in this book defend themselves in some pretty amazing ways—including methods that use slime, blood, or poison! There's a lizard that can shoot blood from its eyes and an ant that explodes for the good of the colony. Read this book to learn more about these amazing animals and the ways they defend themselves!

What do animals do when they're under attack? Some run. Some hide. But the animals in this book use their amazing superpowers to defend themselves. There's a lizard that can shoot blood from its eyes and an ant that explodes for the good of the colony. There's even a sea cucumber that shoots its own guts at attackers! Learn more about some amazing animals and they ways they defend themselves in this fascinating book.

Introduces the behavior, life cycle, and physical characteristics of ants and describes how ant colonies work.

A comprehensive, multi-author treatise on the social insects of the world, with some auxiliary attention to such adjacent topics as subsocial insects and social arachnids. The work is to serve as a very convenient, yet authoritative reference work on the biology and systematics of social insects of the world. This is a project of the International Union for the Study of Social Insects (IUSSI), the worldwide organizing body for the scientific study of social insects.

A Time Best YA Book of All Time (2021) From the “author to watch” (Kirkus Reviews) of The Five Stages of Andrew Brawley comes an “equal parts sarcastic and profound” (Kirkus Reviews, starred review) novel about a teenage boy who must decide whether or not the world is worth saving. Henry Denton has spent years being periodically abducted by aliens. Then the aliens give him an ultimatum: The world will end in 144 days, and all Henry has to do to stop it is push a big red button. Only he isn’t sure he wants to. After all, life hasn’t been great for Henry. His mom is a struggling waitress held together by a thin layer of cigarette smoke. His brother is a jobless dropout who just knocked someone up. His grandmother is slowly losing herself to Alzheimer’s. And Henry is still dealing with the grief of his boyfriend’s suicide last year. Wiping the slate clean sounds like a pretty good choice to him. But Henry is a scientist first, and facing the question thoroughly and logically, he begins to look for pros and cons: in the bully who is his perpetual one-night stand, in the best friend who betrayed him, in the brilliant and mysterious boy who walked into the wrong class. Weighing the pain and the joy that surrounds him, Henry is left with the ultimate choice: push the button and save the planet and everyone on it…or let the world—and his pain—be destroyed forever.

The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.