With Experiments Past the important role that experimental archaeology has played in the development of archaeology is finally uncovered and understood. Experimental archaeology is a method to attempt to replicate archaeological artefacts and/or processes to test certain hypotheses or discover information about those artefacts and/or processes. It has been a key part of archaeology for well over a century, but such experiments are often embedded in wider research, conducted in isolation or never published or reported. Experiments Pasts provides readers with a glimpse of experimental work and experience that was previously inaccessible due to language, geographic and documentation barriers, while establishing a historical context for the issues confronting experimental archaeology today.This volume contains formal papers on the history of experimental methodologies in archaeology, as well as personal experiences of the development of experimental archaeology from early leaders in the field, such as Hans-Ole Hansen. Also represented in these chapters are the histories of experimental approaches to taphonomy, the archaeology of boats, building structures and agricultural practices, as well as narratives on how experimental archaeology has developed on a national level in several European countries and its role in encouraging a wide-scale interest and engagement with the past.

Designing Experimental Research in Archaeology is a guide for the design of archaeological experiments for both students and scholars. Experimental archaeology provides a unique opportunity to corroborate conclusions with multiple trials of repeatable experiments and can provide data otherwise unavailable to archaeologists without damaging sites, remains, or artifacts. Each chapter addresses a particular classification of material culture-ceramics, stone tools, perishable materials, composite hunting technology, butchering practices and bone tools, and experimental zooarchaeology-detailing issues that must be considered in the development of experimental archaeology projects and discussing potential pitfalls. The experiments follow coherent and consistent research designs and procedures and are placed in a theoretical context, and contributors outline methods that will serve as a guide in future experiments. This degree of standardization is uncommon in traditional archaeological research but is essential to experimental archaeology. The field has long been in need of a guide that focuses on methodology and design. This book fills that need not only for undergraduate and graduate students but for any archaeologist looking to begin an experimental research project.

First published in 1979, this text picks out the major trends in experimental archaeology. However the choice of work described is selective and represents the author's interest in archaeological experiment as an important means of retrieving and explaining evidence about early societies.

The Constructed Past presents group of powerful images of the past, termed in the book construction sites. At these sites, full scale, three-dimensional images of the past have been created for a variety of reasons including archaeological experimentation, tourism and education. Using various case studies, the contributors frankly discuss the aims, problems and mistakes experienced with reconstruction. They encourage the need for on-going experimentation and examine the various uses of the sites; political, economical and educational.

Experimental archaeology is today forging new links between archaeological scientists and theorists. Many of the best archaeological projects today are those which use methodology and interpretation from both the sciences and the arts. The papers presented here reflect this interdisciplinary approach and focus on sites and material culture spanning from the Mesolithic to the Late Medieval periods. They range from the history of experimentation in archaeology and its place within the field today, to the theory behind `the experiment', to several projects which have used controlled experimentation to test hypotheses about archaeological remains, past actions, and the scientific processes we use. Now that archaeology has moved beyond the focus of the Processual/Post-Processual debates of the 1970s and 80s, which pitted science against the arts, archaeologists have more freedom to choose how to `do archaeology'. The contributions to this book reflect this as problems are approached in --

In this book, based on the proceedings of a two-day workshop on experimental archaeology at the Irish Institute of Hellenic Studies at Athens in 2017, scholars, artists and craftspeople explore how people in the past made things, used and discarded them, from prehistory to the Middle Ages.

Our understanding of the construction processes involved with British Neolithic architecture needs further investigation. The people were preliterate and there is no archaeological evidence of written or pictorial information regarding construction. So how could they build complex monuments like Stonehenge without a plan? This book argues that the Neolithic builders used rudimentary techniques to plan before building their monuments (circa 4000 – 2500 BC) – essentially, using ropes to set out the physical design of any structure they intended to build, whilst finger reckoning numeracy dictated how their measured ropes were folded to position the monument’s features. Finally, they used the sun’s shadow at midday to achieve orientation. To support this premise, the book offers both the results of the author’s “rope experiments” and instructions for repeating them. Importantly, this form of experimental archaeology delivers a unique approach for understanding the nature of complex Neolithic architecture. Essentially, the book explains the mental processes involved between design and construction.