This collection of essays on Turgenev, Goncharov, Conrad, Dostoevsky, Blok, Briusov, Gor?kii, Pasternak and Nabokov represents diverse voices but is also unified. One invariant is the recurring distinction between ?culture? and ?civilization? and the vision of Russia as the bearer of culture because it is ?barbaric.? Another stance advocates the synthesis of ?sense and sensibility? and the vision of ?Apollo? and ?Dionysus? creating a ?civilized culture? together. Those voices that delight in the artificiality of civilization are complemented by those apprehensive of the dangers in barbarism. This collection thus adds new perspectives to the much-debated opposition of vital Russia and a declining West, offering novel interpretations of classics from Oblomov to Lolita and The Idiot to Doctor Zhivago.

A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.

DIVPolitical turmoil convulses 19th-century Russia as an assassination, government intrigue, and betrayal force a young student to come to terms with accountability and human integrity. /div

Originally presented as the author's thesis (Ph.D.)--Northwestern University, 2001.