This is a history of the moorlands and the part they have played in English and Welsh history over ten millennia. Ian Simmons combines the perspectives of natural science, archaeology, social history and historical geography, and draws on forty years of exploring and studying the moorlands. Starting with a description of their origins and how they have changed under the impact of human and natural forces, Simmons shows how perceptions of the moors have been influenced by writers, artists and the media (and how they have been inspired by the moors), and how these perceptions have resulted in great changes in attitudes to moorland use and management. The book begins by offering some concise understanding of the physical and natural characteristics of moorlands. It then gives an account of how hunter-gatherers of the Mesolithic period altered their surroundings using fire. It describes how millennia of agricultural production wrought distinctive moorland landscapes and how these in turn were affected and sometimes transformed by industrialisation, afforestation and changes in farming methods. The renewed impetus in the twentieth century for environmental management and conservation brings the story near to the present. The North Pennines, Dartmoor and South Wales are the subject of detailed accounts that reveal the common characteristics of the moorlands as well as their marked contrasts. Beyond the recent crises of overgrazing and the 2001 foot and mouth outbreak, Ian Simmons lays out some possible futures for the moors.

We live in an age of unprecedented environmental change: global, interconnected and universal. Yet though our lives are inextricably connected to global processes, and increasingly mobile, we still live in particular places. Our perceptions of change, and what kind of change might be for good or ill, are shaped by the interaction of localised experience and the wider forces of transformation. Local Places, Global Processes examines how these relationships have been shaped in Britain over time in three ways. First, through essays addressing influential ways of understanding and debating questions of ‘the state of nature’. These are complemented by case studies on conservation, landscape change and management, and how perceptions of environmental change have emerged or been discarded over time. Chapters also draw on a series of site-based workshops that brought together historians, landscape managers and artists to discuss and reflect on particular sites: Wicken Fen in Cambridgeshire, owned by the National Trust and the first British nature reserve; the Quantock Hills Area of Outstanding Natural Beauty in Somerset, England’s first AONB and a landscape enriched by Romantic association; and the landscape of Kielder Water and Forest, a land of superlatives in Northumberland in north-eastern England – the largest planted forest and artificial lake in northern Europe. The multi-disciplinary approach draws together the exchanges, artworks and writing assembled at these workshops and afterwards. This opens up how being in a place, and engaging with ideas attached to it, shape perceptions of the environment. It provides resources with which landscape managers can think about their tasks and engage various publics in discussion about future environments in light of these histories of place. Rather than a history of these three places, this is history written from them.

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