Combining a breadth of scholarship, insightful critical thinking, and an engaging personal interaction with Mary Hallock Foote’s substantial collection of illustrations and writings, Megan Riley McGilchrist provides a significant contribution to western literature and the lives of western writers. Exile, Nature, and Transformation in the Life of Mary Hallock Foote opens a window into the remarkable, little-known nineteenth-century personal history of accomplished American author and illustrator, Mary Hallock Foote, a woman both of her time, and ahead of it. When Mary gave up a successful career as an illustrator in New York to follow her husband, a mining engineer, to the West, she found herself in a new, unfamiliar, and often challenging world—sometimes feeling like an exile. The thousands of pages of her unpublished letters, which form the foundation of this book, give rare insight into the process of acculturation and eventually the transformation that she experienced. This wide-ranging analysis also examines the role that nature and Mary’s lifelong connection with the natural world played in her adaptation to the western mining towns where she spent much of the rest of her life. In many ways, Mary’s life mirrored that of author Megan Riley McGilchrist, whose parallel exile began in 1977 when she left America for England. Drawing equivalences with Mary’s life as an exile and her own life as an expatriate American woman, Megan provides a meditation on her own transformation, as much as on Mary’s. Megan demonstrates what it has been like to be a twenty-first-century American expatriate, Californian-turned-Londoner—to find common ground in the life of a nineteenth-century woman. Comprising elements of biography, literary analysis, history, and personal history, and containing many unpublished excerpts from Mary’s voluminous correspondence, Exile, Nature, and Transformation in the Life of Mary Hallock Foote offers insight into the ways Mary perceived the world around her. It also provides insight into the experiences of exiles of any time—people who have left a familiar environment to embark on a new life in a new and not necessarily comfortable setting.

Richard W. Etulain examines the emergence of Pacific Northwest prose beginning in the early nineteenth century up to the present. The book provides an introductory overview to a vast subject through “illuminative moments” that illustrate major shifts in the literary history of the region. The book’s focus is on novels, histories, and other nonfiction works that trace Pacific Northwest prose in chronological order through three periods: the frontier, regional, and post-regional eras. Etulain provides extensive coverage of the writings of notable authors, including novelists Frederic Homer Balch and Mary Hallock Foote, offering an understanding of frontier romantic and Local Color Writers. He also explores the works of H. G. Merriam and novelist H. L. Davis, illustrating regional prose writings. Finally, Etulain includes a panoply of writers who exemplify an emphasis on gender, race and ethnicity, and environmental texts from the post-WWII period. Illuminative Moments in Pacific Northwest Prose delivers a first-time overview of the region’s literary contributions that will interest both scholars and general readers alike.

Distinguished historian Richard W. Etulain brings together a generous selection of essays from his sixty-year career as a specialist on the US West in this essential volume. Each essay provides an invaluable overview of the rise of western literary history and historiography--including insightful evaluations of individual historians--revealing summaries of regional literature and discussions of western stories yet to be told. Together these writings furnish readers with useful considerations of important subjects about the American West. All those interested in the American West and its interpreters will find these illuminative moments of literary history and historiography especially appealing.

In 1996 the ecocriticism reader appeared, a seminal work defining a then relatively new approach to literary criticism through the lens of environmental and nature studies. Reading Under the Sign of Nature is the first volume to demonstrate the practice of ecocriticism on a wide range of literary texts representing diverse racial, ethnic, and cultural perspectives. Twenty-two essays masterfully exhibit how a variety of ideas -- bioregionalism, feminism, Buddhism, postmodernism, and phenomenology -- can inform that practice. Included in this volume are critiques of prose and poetry by American writers that have long been in the literary and nature-writing canons, as well as interrogations of work by authors from Native American, African American, Occidental, and Far Eastern traditions. In this long-awaited anthology, a select group of scholars deftly employs the ecocritical approach on a valuable body of contemporary and traditional literature, evincing the rich possibilities for this form of inquiry without, as the editors note, "spinning off into obscurantism or idiosyncrasy".

This is a collection of short stories by Mary Hallock Foote, an American author and illustrator. The book contains six distinct tales that offer a glimpse into the human experience. The book contains the following short stories: In Exile - Friend Barton's "Concern" - The Story of the Alcazar - A Cloud on the Mountain - The Rapture of Hetty - The Watchman.

The story of the American West is that of a journey. It is the story of a movement, of a geographical and human transition, of the delineation of a route that would soon become a rooted myth. The story of the American West has similarly journeyed across boundaries, in a two-way movement, sometimes feeding the idea of that myth, sometimes challenging it. This collection of essays relates to the notion of the traveling essence of the myth of the American West from different geographical and disciplinary standpoints. The volume originates in Europe, in Spain, where the myth traveled, was received, assimilated, and re-presented. It intends to travel back to the West, in a two-way cross-cultural journey, which will hopefully contribute to the delineation of the New—always self-renewing—American West. It includes the work of authors of both sides of the Atlantic ocean who propose a cross-cultural, transdisciplinary dialogue upon the idea, the geography and the representation of the American West.